Author: Jerin J Panakkel Site Location: Attapadi, Kerala Institute: College of Architecture Trivandrum (CAT) Advisor: Prof. Niby Thomas Varghese
At the time of the formation of Kerala State, Attappady was a healthy rich land. Then ninety percent of the population was Adivasis. Their self-sufficient subsistence economy, life support natural systems, as well as ecologically harmonious lifestyle, were destroyed in a very short time. Their cultural, as well as unique agricultural foundations, were destroyed and devalued. The tribal community itself has been undergoing drastic changes. The best way to resolve this issue is to create change in the community for all three generations at the same time. Pratheeksha Bhavan is trying to address the issue that the community faces in a 3 steeped manner consisting of all the 3 generations of people who are part of the community. The project tries to solve this issue in the community under the St Thomas ashram at Attapadi. The project consists of a kindergarten, High school, vocational training institute with bamboo training workshops, community center with a medical dispensary for tribal medicine and preparation. Education stands as the best way to address their issues, the right kind of education is needed to understand their cultural importance and also to understand, and experience modernity.
Author: Juzer Ali Johar Ali Site Location: Gandhinagar, Gujarat Institute: Bharati Vidyapeeth College of Architecture, Pune Advisor: Prof. Mukta Latkar Talwalkar
In modern times children are getting into mobile and iPad more, whereas to create space for kids to play and explore without gadgets. A place where kids and adults are engaged in activities, & play some games. Young children do not get enough opportunities to explore without interference or interruption. We need to correct that unfortunate trend, giving them space and materials to let their instincts as learners take over as they physically explore their world. It’s what they do naturally and unfortunately what is being inhibited with increasing frequency.
The museum aims to be a place to collect and present old and new toys in some creative and contemporary ways but still keep the unique traditional toys.
Moreover, this project is also designed to be the place where kids enjoy modern toys and the parents enjoy toys from their era and simultaneously to provide interactive areas for children as well as parents.
The purpose of Toy Museum is to present the design which helps create imagine and let the visitors relaxed. Additionally, the project also seeks to bring people together to talk and share ideas by showcasing a number of toys from different eras ranging from past to present. It is a city level museum, considering footfall of 500-600 people. Finally, the museum also predicts the future of toy industry.
Author: Vaishnavie Ravi Site Location: Chennai, Tamil Nadu Institute: MEASI Academy of Architecture, Chennai Advisor: Ar. A. D. Devaanand
WATER AND LAND EDGE, is a dialogue between oppositional environs, or simply the feeling of being against a great precipice constantly in motion, that brings a magical attraction to waterfronts. The fishing Communities across India are fighting to protect lands as SEA LEVEL RISES, and the risk of future developments by the government at the coast, putting the fishermen’s livelihood at stake. The Marine ecosystems are compromised for the sake of land expansion.
The site, Foreshore estate is a neighborhood in Chennai, India. It is situated along the southern stretch of Marina Beach. It is located by the Bay of Bengal on one side and the Adyar Creek on the other. The government is anticipating the estate to be a tourist attraction essentially becoming an economic source but this is often at the expense of the fishermen ls community.
Development and Progress can’t be traded-off at the expense of the authentic settlements of the place. This thesis is mainstreamed on the redevelopment and the revamping of coastlines without revoking their communities. An idea of bridging that might sustain the locals and also heave in visitors who want to explore the city’s rich heritage. It also engages in the social, economic, and infrastructural compositions to ultimately bridge the gaps in the social context.
The intention of the Social infrastructure is to create a community gaining set out, rather than just being an economic source. This forum will work as a point of convergence for a vast spectrum of people and at the same time fortify the existing coastal domains. A prototype landscape which enriches the visitor experience , forging stewards of the resilient ecological systems where land meets water.
Author: Shivam Singh Site Location: Dausa, Rajasthan Institute: Chandigarh College of Architecture Advisor: Prof. Sujay Sengupta
A nation’s cultural heritage and natural history are precious and unique. The value of cultural heritage isn’t in cultural manifestation itself. But in the wealth of experience and skills passed down from generation to generation. Abhaneri village near Jaipur has a great diversity of craftsmanship and broad culture which is disappearing as the country is heading towards development. The purpose is to provide a platform for the people to show their skills and spread their knowledge of culture and craftsmanship. A museum that will preserve the remains of Harshad Mata temple which is presently kept inside Chand Baori and other historical elements that represent the people and their culture. Rejuvenation of water level in Abhaneri village by our site.
Author: Pritesh Jain Site Location: Aurangabad, Maharashtra Institute: Marathwada Insitute of Technology (MIT) Advisor: Ar. Pranita Pranjale
“Architectural Design should permute climate salvation to human solidarity”
Climate disruption is an emergency and collective accountability, that must be responded to accordingly. A solution to climate change requires long-term planning.
Climate Museum is proposed for the relevant, dynamic experience of climate variability and the earth’s emotions. Design mitigates climate change as adaptive and retrofits the existing topography. The inner character of the building; to see, observe and experience the global change is reflected in its outer appearance.
The proposed design is hatched beyond aesthetic elements of sophisticated complexity, design stands out for experiencing spaces and what climate change offers us in an intangible way. Museum is designed in consideration with the climate context of Pune city. Five galleries are tendered to portray major effects of climate change. Nature’s Womb illustrates the importance of trees. Tunnel Of Pollution escapades the industrial revolution and its adverse effects. The Green Water set forth emotions of an unbalanced aqua ecosystem. The Desert delineates desertification and exhibits its sequel, land without soul. Melting Hall exhibits glacier melting due to global warming.
The aim of Museum is to array seriousness of climate change and its effects, from awareness of the present to the future.
Author: Harshit V Shastry Site Location: Hampi, Karnataka Institute: SJB School of Architecture & Planning, Bengaluru Advisor: Ar. Sachin Shetty
The Genesis of an idea took place at the UNESCO World Heritage Site at the historic town of Hampi, Karnataka,India. The Ancient Capital of the Vijayanagara Empire that Hampi once was was renowned for its finesse and intricacy in multiple facets of engineering and design, in terms of Town Planning, Architectural Detailing and Sculpting. In recent times, the heritage structures within the historic site have been prone to desecration both by Natural and Manmade means. Thus, the Government of Karnataka and the Archaeological Survey of India under the guidance of UNESCO have come up with a proposal for an Interpretation Centre that can increase awareness and knowledge amongst people and prevent further desecration of heritage property.
From an Architectural point of view, Hampi provides abundant knowledge with respect to Cultural Nodes , Landmarks and the Series of Spatial Transitions between them, the Interplay between light, shadow and structure and how the combination of these features gives rise to a New Typology of Space making and an Ambience that deeply affects the psyche of the Viewer. The proposal for the Interpretation Centre positively opens up multiple possibilities to further explore these features and interpret them in a Modern Architectural Dialect.
Author: Ankita Sen Deka Choudhury Site Location: Guwahati, Assam Institute: Manipal School of Architecture & Planning Advisor: Dr. Vishal Chettry
Shilpanilaya, the Assam Art and Craft Village is a centre for the promotion of the indigenous arts and crafts of the state of Assam. The aim was to design training, exhibition, retail and recreational spaces that reflect the heritage and culture of the state while being responsive to the local climatic conditions. The chosen site is located in the suburbs of the city of Guwahati in close proximity to the national highway that allows easy access for artisans travelling from the various parts of the state. Seven major local crafts, viz. pottery, bell metal, wood carving, handloom, mask masking, jewellery, and cane & bamboo. The planning is inspired from the local settlement patterns while the forms and proportions are derived from the local architecture of the region. Further, spaces have been designed as a mix of enclosed and open areas as per the requirements of the various crafts considering the lighting and shading requirements.
Author: Shivam Rawat Site Location: Delhi Institute: University School of Planning and Architecture, Guru Gobind Singh Indraprastha University (USAP) Advisor: Dr. Neeraja Lugani Sethi
In today’s time with the emergence of the Internet and digitalization of the books and information, this has enormously influenced the manner in which we consume information. With the developments of new methods and types of media, the traditional role of a public library is to question. The significance of the physical collection within a certain environment versus a quick Internet search at any given point of time within any environment, questions the sustainability of a public library and the resources it offers.
This project proposes a new typology for a public space – re-imagining the existing image of Public Libraries in the social realm and mixing it with collaborative co working spaces help to develop active and lively spaces in the community making it a 24×7 lively space.
The infinite loop gives a seamless experience to the user by interconnection of varied spaces, blurring the difference between the exterior and interior surroundings. The design is developed on the basis of the Activity Analysis Mapping which was conducted on the site and ensuring that the most interesting and dominant footfall section of the Site catches onto the most interesting functions and views and increase the utilization of this project.
Author: Ruchira Rathod Site Location: Mumbai Institute: Rachna Sansad’s Academy of Architecture (AOA) Advisor: Swati Chokshi
Cities have become our new homes for the majority of us. Previously, due to migrations, there was a concept of ‘hometown.’ This loss of ‘hometown’ has lost fewer of us who live in the city a much-needed respite. A getaway that allows us to unwind and break free from our daily routines. Nowadays, taking a “break” is associated with using social media rather than participating in group activities. When it comes to defining the term “break,” biases in components like gender, age, and space were seen. Definitions are strongly impacted by the respondent’s age group. The purpose of this study is to determine the definition of a break for various age groups living in the city. And how can a location give a refuge that caters to the concept of a ’retreat’? Finding a place within the city limits where users may recharge themselves. The chosen site is located in Mumbai, at Mulund Octroi Naka which has a strong contextual demand. The concept was derived from site prompts, with safety being the primary concern that needed to be addressed. Porosity was implemented through a scattering of built masses, greens, hubs, and organic waterbodies. the elements of porosity were introduced as a module of built function.
Author: P V Ramyasree Putangunta Site Location: Hampi, Karnataka Institute: CMR University School of Architecture Advisor: Ass. Prof. Minu Zacharia
Hampi is a UNESCO World Heritage site and its ruins are spread across 4100 hectares across the region. The project intervention area is situated at the edge of Kamalapur village almost at the entry to the Hampi heritage zone and hence intends to act as gateway catering to both the visitors and locals alike. The project attempts to celebrate the identity of the place, which includes topography, activity of the people, characteristics of existing structures, and porosity of natural vs man made fabric. Thereby it becomes a landscape of built form that is grounded to the earth and rising from it to merge with the terrain of HAMPI. It becomes a subtle gesture of memory of the built, unbuilt, the tangible, intangible experience of what Hampi in its glory stood for. The traces of memory the place holds to the locals is maintained at the same time the project tries to give an insight into the values of our history to visitors with a modernistic approach.
Author: Milan Bhupendra Bhai Patel Site Location: Kevadia, Gujarat Institute: College of Architecture, Sardar Vallabhai Patel Institute of Technology (SVIT) Advisor: Prof. Pallavi Mahida
This year marks the 75th anniversary of Indian independence. It is a source of immense pride and celebration for us Indians. Should it only be slogans, cliche publications, and festive programmes? Rather, it is to continue to inspire youthful minds. Understanding the freedom struggle and colonial forces constitutes the basic paradigm for post-colonial India. The memory of any collective effort, any struggle, and any willing sacrifice will strengthen our national unity, express our aspirations, and display our diversities of approaches and action toward the one united goal of national liberation need to be taught. This memory of struggle needs to be preserved so that each young mind lives through the struggle that their forefathers underwent and begins to value the idea and feelings of freedom. A proposal for the museum was identified and the main aim of the project was ”Revisiting the events and phases that impacted the freedom struggle of India to imbibe patriotism in the new generation on the event of Azadi ka Amritmahotsav. (75 years of Indian independence)”
Author: Mayuresh Pradhan Site Location: Mumbai Institute: Lokmanya Tilak institute of Architecture and Design Studies, Navi Mumbai Advisor: Prof. Harish Shetty
The project began as a quest to understand if one could navigate through a structure like one navigates through a story? This simple quest led to further investigations of what is a public space at its core. The structure attempts to juxtapose various narratives along with the primary program which was essentially ‘A Film Archive and a Museum’. While the three floating blocks cater to the primary programs, the ground becomes an open public space, which is merely a passage between the abutting primary roads on both sides of the site. Here one has elongated that passage and tried to orchestrate a narrative within the ‘Urban Passage’ where the essential programs intertwined with the temporary events but at the same time secluded. This creates a micro climate, within the structure that doesn’t completely rely on active techniques of lighting and ventilation. And is rather a garden within which a structure is curated.
Author: Harikiran V Alva Site Location: Neelavara, Karnataka Institute: Nitte Institute of Architecture Advisor: Palaksha Shetty
Cattle are one of the earliest domesticated animals by humans. Once often left to wander about in the open gradually started settling in alongside human settlements. Thus began the journey in the change in raising of cattle. To conserve them, many organizations are currently providing food and shelters designed based on human perception—the thesis questions the conventional design approach, which is majorly human-centric.
The primary approach of man towards nature was passive, which gradually changed due to man’s excessive desire. Man’s sensitive wisdom towards nature slowly started shifting towards material prosperity, money based in the present era, which affected not only humans and their habitat but also other living creatures, and created a gap between man and nature. In Asian countries like India, where anything that sustains a person’s livelihood is valued, cattle have been considered sacred due to their contributions to humanity. Humans used them for their daily needs and were respected as one among them.
The Design Proposal will be to create a Sustainable Village for Cattles, and its caretakers will be based on understanding cattle’s perception of space and its natural behavior. Spaces designed are based on various methods of understanding a cow and its natural wandering and creating a healthy habitat to live its intrinsic lifestyle.
Author: Prachi Kadam Site Location: Girangaon, Lalbaug, Mumbai Institute: LS Raheja College of Architecture, Mumbai Advisor: Ar. Mridula Pillai Gudekar
Cultural trauma occurs when the locals feel their place is threatened by an event that leads to irreversible damage and changes the space that was once theirs in turn redefining its identity. One such event which lead to a cultural wounding in India was the mill owners strike of 1982 which changed the place identity of the mill abode of Girangaon from its rich girni culture to a pure consumer culture.
In order to counteract the trauma of urban violence, a common trend of redevelopment, this project was conceptualized keeping in mind the true impermanent nature of the site. It attempts to heal the cultural trauma by “designing for informality” and by working out simple solutions to the existing adversities on site.
Author: Jaswanth NS Site Location: Palani, Dindigul, Tamil Nadu Institute: CARE School of Architecture, Trichy Advisor: Ar.Balaji Rajasekaran
Pilgrimage is a part and parcel of the culture of the sub-continent and takes innumerable and sometime specific forms based on the religious centre. Palani is one such unique pilgrim city in India, wherein people from all parts of Tamil Nadu take a padhayatra (walk) to Palani, after the Pongal festival ends, which is called Thaipusam. Dedicated to Lord Muruga, people carry colourful kavadis and walk up the hills of Palani for the darshan of the lord. Lakhs of people conjugate at one place but the infrastructure is minimal. This is a seasonal event and hence permanent structures are mostly underutilized. It is in this premise that the thesis looks at a type of architecture that is temporal and ephemeral.
The thesis attempts to provide temporary pop up structures like a kit of parts which can be assembled and serve as places to sleep, places to refresh, and medical facilities required for the pilgrims who undertake the padayathra during the event. Post the event, the flexibility and temporal nature of these structures can be used to facilitate multi-dimensional and varied requirements.
Author: Manish Shravane Site Location: Thane, Maharashtra Institute: School of Environment and Architecture, Mumbai Advisor: Milind Mahale & Sabaa Giradkar
This project explores potential methodology for urban interventions in an informal settlement in Thane city. It proposes a number of innovative strategies for regenerating the existing socio-cultural practices through a catalogue of urban tools that support artistic practices, solve the lack of cultural infrastructure and preserves the traditional life that creates intensity of living through participatory construction methods.
Author: Ravi Modi Site Location: Vadnagar, Mehsana district, Gujarat Institute: MS University, Baroda Advisor: Prof. Percy Adil Pithawala, Ar. Ashish Amin, Ar. Niketa Moghe, Ar. Mitesh Panchal
The objective of this thesis is to raise awareness about the rich history of Vadnagar and evoke a sense of pride and belonging amongst the younger generation through cultural heritage. The challenge is to provide a solution for new intervention without disturbing the foundations of the existing and future ruins which remain yet to be excavated.
Hence the project has tried evolving to an appropriate system of construction which provides inherent flexibility for ease of construction and adaptability to emerging conditions at site during assembly and erection.
Author: Parwati Patil Site Location: Lakundi, Gadag district, Karnataka Institute: Goa College of Architecture, Panaji Advisor: Ar. Sidhi Tendulkar
The Interpretation and Research Centre for Western Chalukyan Temples is located in Lakundi, a village in Gadag District of Karnataka. Anantshodha thus, befits a center that aims to build awareness and promote knowledge of the Western Chalukyan temples while also acting as a means to preserve these temples through documentation and research.
Author: Oishik Chakraborty Site Location: New Town, Kolkata Institute: Jadavpur University, Kolkata Advisor: Ms. Sanghamitra Sarkar, Dr. Sanjib Nag
A Center for Cultural Unification Commemorating Bengal Partition essentially talks about two most important things: Oikya or Unity, and Bengal Partition. This Center aims at providing a platform for this Unity through public interaction. This has been achieved through the site designing, and taking the urban context of the site into consideration in the process.