Author: Darshan Sukhadiya Site Location: Thar, Rajasthan Institute: Institute of Design, Planning & Technology (IDPT)-SCET Advisor: Prof. Saloni Shah
Craft has a profound impact on society by shaping cultural values, stimulating economic growth, fostering creativity, promoting social harmony, and introducing community identity.
As time changes, the appreciation and preservation of traditional crafts hold a special significance. As contemporary society seeks to reconnect with its cultural roots while embracing modernity, redefining the importance of traditional crafts became a captivating endeavour. It involves the delicate balance of honouring timeless techniques, cultural heritage, and artistic expression while infusing these crafts with a fresh and relevant appeal that resonates with the tastes and sensibilities of today.
Traditional crafts are not relics of the past, they are living traditions with rich stories and craftsmanship. Thus, this project reimagines their value for contemporary society. It attempts to bridge the gap between the past and the present, uniting generations and cultures under the banner of creativity and innovation.
The project examines native handicraft groups and the role of craft in their day-to-day life. It critiques the nature of the existing craft networks and their interdependency and attempts to rethink rural infrastructure by looking at planning methods, using conventional beliefs that can provide a socio-ecological manner of creating an environment – Using the local knowledge to make architecture as a catalyst for managing traditional knowledge within the present.
It invites craftsmen to explore the boundless possibilities of blending old and new.
This proposal understands the existing complexities and challenges and works towards an integrated solution. By looking at the craft community as a reflection of a combination of events, activities, and thought objects, this project aims to celebrate the craft by amalgamating innovation with tradition.
Author: Komal Prabhakar Pawaskar Site Location: Assam Institute: AIKTC School of Architecture (Anjuman I Islam Kalsekar Technical Campus) Advisor: Prof. Parag Rawool
It is observed that traditional and cultural patterns are slowly disappearing due to emerging and shifting land dynamics. Moreover, there is a critical point at which populations migrate voluntarily and constructively before being forcefully relocated. The community is at the risk of gradually growing hungry as their coping methods become exhausted. The design is created with an integrated approach towards addressing problems along with the socio-cultural practices in the reconstruction of public infrastructure that can withstand uncertainties and can improve capacity building within the communities—creating employment possibilities that meet shifting market demands while empowering communities.
Author: Juzer Ali Johar Ali Site Location: Gandhinagar, Gujarat Institute: Bharati Vidyapeeth College of Architecture, Pune Advisor: Prof. Mukta Latkar Talwalkar
In modern times children are getting into mobile and iPad more, whereas to create space for kids to play and explore without gadgets. A place where kids and adults are engaged in activities, & play some games. Young children do not get enough opportunities to explore without interference or interruption. We need to correct that unfortunate trend, giving them space and materials to let their instincts as learners take over as they physically explore their world. It’s what they do naturally and unfortunately what is being inhibited with increasing frequency.
The museum aims to be a place to collect and present old and new toys in some creative and contemporary ways but still keep the unique traditional toys.
Moreover, this project is also designed to be the place where kids enjoy modern toys and the parents enjoy toys from their era and simultaneously to provide interactive areas for children as well as parents.
The purpose of Toy Museum is to present the design which helps create imagine and let the visitors relaxed. Additionally, the project also seeks to bring people together to talk and share ideas by showcasing a number of toys from different eras ranging from past to present. It is a city level museum, considering footfall of 500-600 people. Finally, the museum also predicts the future of toy industry.
Author: Anaushka Goyal Site Location: Mumbai Institute: Sir J.J. College of Architecture Advisor: Parul Kumtha
Nav-Utran Mandi is a new form of experiential market that focuses on habitualising cloth barter among various economic groups through removing the Shame Aspect from the mind of the user. Here, each user is a buyer and seller. The design involves grades of markets with common cloth Sorting and Collection Centre along with Public Spaces used as attractors to attract people. The design aims to –
Awaken– Make people aware about Post Consumer Textile Waste and create circularity in cloth use through normalizing cloth exchange, reuse and upcycling of cloth.
Change Mindsets– Remove negative judgement and bias against Preloved clothing and make it accessible and available to all economic classes.
Create new habits– Weave clothing circularity in the lives of people up to a level of normalcy.
Recycling first sheds clothing into a lump of threads. They are messy, intermingled and impossible to segregate. However, in this most basic form they indicate the fabric of fabric in our lives. The form is a simple interpretation of these threads. It symbolizes a series of intertwined threads erupting and subsiding in the fabric of the city.
Author: Mayuresh Pradhan Site Location: Mumbai Institute: Lokmanya Tilak institute of Architecture and Design Studies, Navi Mumbai Advisor: Prof. Harish Shetty
The project began as a quest to understand if one could navigate through a structure like one navigates through a story? This simple quest led to further investigations of what is a public space at its core. The structure attempts to juxtapose various narratives along with the primary program which was essentially ‘A Film Archive and a Museum’. While the three floating blocks cater to the primary programs, the ground becomes an open public space, which is merely a passage between the abutting primary roads on both sides of the site. Here one has elongated that passage and tried to orchestrate a narrative within the ‘Urban Passage’ where the essential programs intertwined with the temporary events but at the same time secluded. This creates a micro climate, within the structure that doesn’t completely rely on active techniques of lighting and ventilation. And is rather a garden within which a structure is curated.
Author: Prachi Kadam Site Location: Girangaon, Lalbaug, Mumbai Institute: LS Raheja College of Architecture, Mumbai Advisor: Ar. Mridula Pillai Gudekar
Cultural trauma occurs when the locals feel their place is threatened by an event that leads to irreversible damage and changes the space that was once theirs in turn redefining its identity. One such event which lead to a cultural wounding in India was the mill owners strike of 1982 which changed the place identity of the mill abode of Girangaon from its rich girni culture to a pure consumer culture.
In order to counteract the trauma of urban violence, a common trend of redevelopment, this project was conceptualized keeping in mind the true impermanent nature of the site. It attempts to heal the cultural trauma by “designing for informality” and by working out simple solutions to the existing adversities on site.
Author: Oishik Chakraborty Site Location: New Town, Kolkata Institute: Jadavpur University, Kolkata Advisor: Ms. Sanghamitra Sarkar, Dr. Sanjib Nag
A Center for Cultural Unification Commemorating Bengal Partition essentially talks about two most important things: Oikya or Unity, and Bengal Partition. This Center aims at providing a platform for this Unity through public interaction. This has been achieved through the site designing, and taking the urban context of the site into consideration in the process.
Author: Safiya Rehman Site Location: Shahgunj, Aurangabad Institute: School of Planning and Architecture, Bhopal Advisor: Mr. Vikram Kohli
The aim is to understand the tangibles and intangibles that make a community and their well-being, improve their quality of life, create new economic opportunities by enhancing the existing functions and programs on-site in Shahgunj, Aurangabad.
Author: Shreya Pathrabe Site Location: Sanpada, Navi Mumbai Institute: Rizvi College of Architecture, Mumbai Advisor: Ar. Fatema Master.
The proposal is a public plaza for people with pods and a module system. It weaves the in between urban fabric making the space more porous. When you look at the plaza and the movement around it, you notice that the paths taken by people were the most important, i.e. entry and exit. As a result, the pods and modules are placed in zones in such a way that people’s movement remains linear and uninterrupted.
Author: Rohan Milind Jaitpal Site Location: Kharghar, Navi Mumbai Institute: Dr. Baliram Hiray College of Architecture, Mumbai Advisor: Ar. Shalini Shrimali
This project’s aim was to create an environment with a little bit of isolation from the remaining area but an environment which is soothing and beautiful. The courtyards act as light wells bringing in the diffused light throughout. The greenery and the water body surrounding it completely elevate the experience of any user.
Author: Mandira Pai Maroor Site Location: Car Street, Mangalore, Karnataka Institute: Manipal School of Architecture, Manipale Advisor: Prof. Sarmistha Chatterjee
The Chiguru Project is an urban regeneration project that focuses on the economic & cultural growth of the community through the revival of built heritage characters of Car Street. It intends to not only revive the economic well being of the area but also re-establish vanishing bonds between culture and community. It uses a ‘heritage-led-design’ approach to reimagine traditional structures into innovative cultural spaces that will increase the outreach of the community and the heritage of the site.
Author: Radhika Sharma Site Location: Jeoni Mandi, Agra, Uttar Pradesh Institute: Jamia Millia Islamia, New Delhi Advisor: Ar. Madiha Rahman.
The project approached the site with the intention of celebrating the people and other significant moments past in the city, such as the heritage industries, concept and culture of bazaars, significance of the Yamuna and the colonial heritage of the city. The design would create an opportunity to promote the local crafts communities by developing the site into an urban anchor to scatter tourism across the city.