A Safe Heaven for Children of Sex Workers

Author: Swetlana Chatterjee
Site Location: Chhapna, West Bengal
Institute: National Institue of Technology, Rourkela
Advisor: Ar. Mohd Nauman Nizamuddin

Description

“Every day is a journey, and the journey itself is home.” — Matsuo Bashō

Children who grow up where their mother’s livelihood is invisible by day and exposed by night are at high risk of abuse, exclusion, and despair. These children suffer from social exclusion, constant anxiety, depression, unmet needs, and fear of being absorbed into the industry, highlighting the urgent need for geographically and culturally appropriate rehabilitation spaces (Nanjunda & Jyothi Lakshmi, 2024). Additionally, the red-light environment is fraught with substance use, violence, crime, and precarious living conditions that are profoundly harmful to a child’s physical and emotional development (Deepa & Manjula, 2020).

The project aims to design a residential rehabilitation center for children of sex workers and minors rescued from sex work, supporting their holistic development. The children of the Sonagachi (ward 18) have been targeted. The site is 22°33’39.55″N 88°30’36.85″E.

It integrates a Class 1-12 school, vocational training, one-stop center, dispensary, residences, and rehabilitation facilities. A feasibility survey included 50 sex-worker mothers, 7 NGO workers, and 206 children from Classes 1-10. Their needs and aspirations informed the design, creating a safe environment that empowers children to reintegrate into society and reclaim their stolen childhoods and futures.


Drawings

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Neurodevelopment School Centre at Andheri, Mumbai

Author: Vaishnavi Daphal
Site Location: Andheri, Mumbai
Institute: Dr. D. Y. Patil School of Architecture
Advisor: Prof. Anish Joshi

Description

Manobodh Gurukulam is a Neurodevelopment School and Therapy Centre in
Andheri, Mumbai, designed for children with diverse learning, sensory and
communication needs. The project focuses on four user groups- children with ADHD,
Autism Spectrum Disorder, dyslexia and hearing impairment- recognizing that each
child experiences learning and their surroundings differently.
The design translates these differences into an inclusive architectural environment
through a continuous, non-linear learning loop, developed as the Synaptic Bridge.
The curved classroom spine avoids dead ends and creates a predictable circulation
system, while a protective outer layer buffers the learning spaces from external noise
and activity. Within the classroom zone, four spatial configurations respond to
movement, visual communication, structured learning, and language and focus.
Landscape becomes an extension of learning and therapy, incorporating sensory
movement circuits, outdoor classrooms, retreat spaces, water and sound therapy,
and horticulture zones. A gradual sensory gradient allows children to move between
active and calmer environments according to their needs.
The project brings architecture, landscape and learning together as one continuous
environment, offering every child opportunities to move, learn, interact and find calm.


Drawings

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Sacred narratives of water : Weaving cultural legacy into livelihood

Author: Aditi Mahesh Kadav
Site Location: Solapur
Institute: Vidya Pratishthan’s School of Architecture
Advisor: Ar. Piyush Shah

Description

In Indian tradition, the Ganga is revered as a divine feminine—powerful like Maa Durga and serene like Maa Saraswati. Yet, today, the sacredness associated with both women and water stands in contrast to reality: women continue to face exploitation, while water remains increasingly scarce.

This thesis seeks to restore this balance through architecture. After exploring urban contexts where such an intervention could create meaningful impact, Solapur was selected—a dry, rain-shadow region where water scarcity intersects with the exploitation of women beedi workers.

The project proposes a livelihood and learning center that enables women to become financially independent through locally rooted skills such as Solapuri Chadar weaving, shenga chutney and bhakari making, alongside life and entrepreneurial skills. A kindergarten allows them to learn without worrying about their children.

Water becomes the heart of the architecture. Rainwater is harvested and stored through stepwells, while its movement shapes the campus. Local materials and alternative construction techniques are employed, with men from the surrounding community trained during construction, creating another layer of livelihood.

The project brings water, women, and architecture together—reviving the sacredness of water, strengthening the dignity of women, and transforming cultural knowledge into sustainable livelihoods.


Drawings

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The Language of: Architecture as a Spatial Narrative Beyond Vision

Author:Rizwan Ahmed Shibargatti
Site Location: Hubballi, Karnataka
Institute:Angadi School of Architecture
Advisor: Ar. Saleem S Totad

Description

India has a large population of children with disabilities, yet there is a scarcity of comprehensive institutions that cater to multiple disabilities simultaneously. Conventional architecture often privileges vision as the primary means of understanding space. Parents often hesitate to send their children away due to emotional attachment and safety concerns, limiting access to education and skill development. This project addresses these challenges by providing a safe, inclusive, and stimulating environment where children can thrive independently.

The proposed Integrated Sensory & Cognitive Development Campus in Hubballi, Karnataka, addresses a critical gap in infrastructure for children with blindness, deaf-muteness, and intellectual challenges. While India has a large population of children with disabilities, comprehensive institutions catering to multiple disabilities simultaneously remain scarce. The project seeks to move away from conventional architecture that exclusively privileges vision, creating instead an inclusive environment where different abilities can coexist, participate, and learn independently.

The project is a multi-disciplinary educational and rehabilitation institute for blind, deaf/mute, and intellectually challenged (IC) children. It includes: Adaptive classrooms for each category of disability Therapy and counseling rooms Skill development and vocational training workshops Recreational and cultural spaces Residential facilities for students from distant region


Drawings

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Landslide Memorial and Museum, Wayanad

Author: Ansil Aslam K.U
Site Location: Wayanad
Institute: School of Planning & Architecture, Thrissur
Advisor: Prof. Geetha. A

Description

The Landslide Memorial and Museum, Wayanad is conceived as an architectural response to the 2024 Chooralmala–Mundakkai landslide, transforming a landscape of loss into a place for remembrance, education, healing, and resilience. The project preserves the landslide terrain as a geoheritage landscape while creating spaces that communicate the geological, ecological, cultural, and human dimensions of the disaster.

Guided by the concept “From Earth to Rebirth,” the visitor journey is organized into three stages: Origin, Resilience, and Rebirth. The architecture follows the natural contours of the site, minimizing excavation and allowing the built forms to integrate with the existing terrain.

The museum combines interpretation galleries, educational spaces, and community programmes with areas for contemplation and remembrance. An elevated walkway connects the museum to the preserved landslide site, culminating at a memorial platform with a participatory gabion wall where visitors contribute stones as symbols of remembrance and collective rebuilding.

Through a restrained architectural language, controlled light, framed views, and transitions between enclosed and open spaces, the project creates an experiential journey from grief towards hope, while promoting environmental awareness, disaster preparedness, and community resilience.


Drawings

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Indian Institute of Creative Technology

Author: Srushti Pawar
Site Location: Mumbai
Institute:G. S. Mandal’s Maharashtra Institute of Technology, Chhatrapati Sambhajinagar
Advisor: Ar. Pranita Bokankar

Description

Indian Institute of Creative Technology (IICT) is envisioned as a national-level institute for Animation, Visual Effects, Gaming, Comics, Extended Reality, and Digital Design, responding to the growing demand for an integrated creative-technology education in India. The project proposes a campus where learning extends beyond conventional classrooms into shared, interactive, and informal spaces.

Set on a contoured site in Mumbai, the design works with the natural terrain to create a layered campus connected by a Creative Spine. The Central Plaza forms the social heart, while Creative Thinking Pods and Viewing Decks provide spaces for informal learning, collaboration, pause, and interaction. Academic spaces are interconnected through courtyards and open areas, encouraging cross-disciplinary exchange and a continuous learning environment.

Technology is integrated into the architecture through kinetic, climate-responsive façades that regulate solar exposure, glare, heat gain, and ventilation. Rotating classrooms introduce adaptability by allowing learning spaces to respond to environmental conditions and changing spatial needs.

The institute is conceived not merely as an educational building, but as a dynamic ecosystem where technology, climate, landscape, and people interact to foster creativity, collaboration, innovation, and inclusive learning.


IMPORTANT FEATURES
1.Central Plaza-
The Central Plaza forms the main gathering space of the Campus, bringing students from different departments together
2. Creative Thinking Pods
The Creative Thinking Pods provide informal spaces where students can think, discuss, sketch, and develop ideas.
3. Creative Spine
The Creative Spine forms the primary pedestrian network of the campus, connecting academic departments, the library, creative pods, and shared spaces
4. Viewing Decks
The Viewing Decks are elevated interaction spaces that allow students to pause, relax, and engage with the surrounding campus.
5. Kinetic Climate-Responsive Facades
The Kinetic Facades are designed to respond to changing climatic conditions. Their movement helps regulate solar exposure, glare, heat gain, and natural ventilation, creating a more comfortable internal environment. The facade combines environmental performance with a dynamic architectural expression.
6. Rotating Classrooms –
The Rotating Classrooms introduce adaptability into the conventional learning environment. Inspired by the concept of movable spaces such as the Sharifi-Ha House, Iran, the classrooms can change their orientation to respond to environmental conditions and create varied spatial
experiences. This makes the learning environment more flexible and dynamic.


Drawings

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Redevelopment of Rabindra Sadan Complex

Author: Gude Abhiram
Site Location: Kolkata, West Bengal
Institute: Indian Institute of Technology (IIT KGP)
Advisor: Prof. Arup Das

Description

For more than six decades, Rabindra Sadan has been where Kolkata comes together — for a play, a film, an exhibition, a book, or simply to spend time together. But as its cultural life grew, the place grew around it without a larger plan. Institutions became fragmented, paths began to overlap, the lake edge was left behind, and the infrastructure that supported this public life could no longer keep pace.

This thesis asks a simple question: how can a place that already belongs to the city make more room for people?

The proposal reconnects the cultural institutions through a continuous public spine that leads to the lake, turning the forgotten edge into an everyday public landscape. Parking and services are consolidated to release the ground for gatherings, festivals and informal life. The limited developable land is taken upward, while three independent circulation cores allow public, institutional and event users to move without conflict.

The result is 67% more built-up area with only 3% additional ground coverage. More is built, without taking more ground.

People occupy the ground. Culture occupies the skyline.


Drawings

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Energy Commons: Reimagining Energy Infrastructure as a Place for Civic Engagement

Author: Radhakrishnan M S
Site Location: Kaloor, Kochi
Institute: SEED APJ Abdul Kalam School of Environmental Design
Advisor: Ar. Chinchu Kumar Sreekandan

Description

Energy Commons begins with a simple question: why should the infrastructure that powers our cities remain inaccessible to the people who depend on it? Located at Kaloor, Kochi, the project reimagines an existing substation through a second enquiry: when changes in infrastructure leave spaces underused or inaccessible, does architecture have a role in giving them back to the city? By exploring the future typological transformation of substation infrastructure, the project opens up the infrastructure and its residual spaces and reclaims them as part of the city’s commons.

The project is organised around three connected cores: Infrastructure, Awareness and Making. The Infrastructure Core houses essential energy systems, including battery storage and distribution; the Awareness Core creates spaces to see and understand energy systems; and the Making Core supports manufacturing, repair and exchange of electronic goods. Three courts connect these cores, creating spaces for gathering, neighbourhood life and engagement with the energy system, while linking the project to the existing metro network and surrounding neighbourhood.

Rooftop photovoltaics, photovoltaic fac;ades and kinetic surfaces integrate energy generation into the architecture. Energy Commons transforms inaccessible infrastructure into an accessible civic resource-giving space back to the city and bringing energy into the everyday commons.

Drawings

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Saaransh- School, Vocational and Therapy Centre

Author: Saniya Bhargava
Site Location: Ahmedabad, Gujarat
Institute: Institute of Architecture and Planning, Nirma University
Advisor: Dr. Chandran Rekha Jetty

Description

Saaransh is a reimagination of the educational institution as an environment that responds to neurodiversity. Designed for autistic children, the project integrates education, therapy, vocational training and caregiver support within a unified campus. In a context where autism-focused education and therapy are often accommodated within small, spatially constrained establishments, Saaransh proposes a larger institutional campus that provides a safe and expansive environment where children can move, explore, play and express themselves freely.

The campus is organized around interconnected courtyards that provide secure access to nature, daylight, ventilation and outdoor activity while supporting intuitive orientation and visual supervision. Sensory rooms, shaded verandahs and transitional spaces provide opportunities for regulation and retreat.

The architectural language is intentionally approachable, using fragmented blocks, curvilinear circulation and rounded edges to reduce institutional rigidity and improve safety. Exposed CSEB masonry, white plastered entrances and natural textures establish a calm, legible material palette, while courtyards and sensory gardens become integral to the architecture. Through the interplay of space, landscape, material and sensory control, Saaransh proposes an environment where architecture actively supports learning, emotional regulation, independence and social participation.

Drawings

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To Be or Not To Be

Author: Akanksha KV Rao
Site Location: Navi Mumbai, Maharashtra
Institute: PES University
Advisor: Ar. Sharath and Ar. Pranathi Udupa

Description

Dementia, one of the fastest-growing health concerns of our time, has created a silent crisis across the globe. In India, despite nearly 8.8 million people living with the condition, awareness remains alarmingly low. Deep-rooted stigma and lack of specialized care often leave families to struggle in isolation. While medical systems attempt to slow the disease, they rarely address the deeper existential crisis dementia brings an erosion of memory, identity, and belonging. This echoes Hamlet’s haunting dilemma in “To Be Or Not to Be” a struggle between existence and erasure, presence and absence.
This project, “To Be Or Not to Be”, responds to that crisis through architecture. At its heart is a dementia village and experience centre, designed not as an institution but as a living community. The experience centre invites the public to step into the fragmented, disoriented reality of dementia, cultivating empathy and understanding in a society that often looks away. The dementia village provides therapeutic, sensory-rich environments that nurture independence, dignity, and healing, while integrating with the rhythms of everyday life.
Here, architecture becomes more than shelter it becomes memory, therapy, and connection. It asks us to not only care for those with dementia, but to truly understand them.

Drawings

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Siddi: Preserve, Empower, Thrive – Community-driven Architecture in Ahmedabad

Author: Habib Rehman Akhtar Khan
Site Location: Ahmedabad, Gujarat
Institute: Lokmanya Tilak Institute of Architecture and Design
Advisor: Harish Shetty

Description

The Siddi Community Centre is envisioned as a place of dignity, belonging, and opportunity for a people often pushed to the margins. The Siddis -Africans by origin, Indians by nationality have lived in Gujarat for over four centuries. They built forts, carved Ahmedabad’s iconic Siddi Saiyyed Jali, and enriched India’s cultural fabric. Yet today, many struggle with poverty, exclusion, and invisibility, with little access to education, healthcare, or secure livelihoods.
Many remain unaware of their Scheduled Tribe rights, while issues like gambling and exploitation weaken unity. Hope lies in the younger generation, eager for education and change.
This project responds by asking: who are we designing for? The answer lies in co-creating with the community. Set on a 29,000 sqm site along the Ahmedabad riverfront, the design steps with contours and draws from idea of Correa’s incremental grid, Kéré’s ventilation strategies, and Fathy’s brick vaults. Each 12 × 20 m module, supported by RCC beams and brick piers, integrates services, harvests rainwater, and anticipates growth.
Programs emerge from lived realities – a healthcare block for women and children, a community kitchen inspired by Hirabai Lobi’s struggle, schools woven with skill centers, and courtyards for Dhamal dance, weddings, and festivals. Sunken exhibition spaces become hubs for dialogue and livelihood, while sports and women’s training centers unlock future potential.
This is not charity. It is architecture as equity, preserving heritage, empowering livelihoods, and nurturing cultural pride for generations to come.

Drawings

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Young India Integrated School: Designing a Least Restrictive Campus in Hyderabad

Author: Tushita Thumati
Site Location: Hyderabad, Telangana
Institute: School of Planning and Architecture, Bhopal
Advisor: Rachna Khare

Description

In India, the promise of inclusive education often remains limited by invisible barriers, whether architectural, social, or cultural. Schools, instead of becoming sanctuaries of growth, frequently turn into restrictive spaces that separate children with disabilities from their peers. The challenge lies not only in physical access but in creating environments that affirm dignity, belonging, and participation for every child.
The Young India Integrated School is envisioned as a prototype for the Least Restrictive Environment in education. Here, architecture becomes a mediator of relationships; between children and nature, between community and institution, and between learning and play.
The design employs curvilinear forms, interconnected courtyards, and sensory alcoves to create spaces for both engagement and retreat. Textured walls, fluid transitions, and nature-infused commons guide navigation while supporting well-being. Spaces respond to varied sensory and social needs, allowing inclusion to be lived as an everyday experience.
This school is more than an institution. It is an evolving framework of equity and resilience, an architecture that dissolves boundaries and becomes a living pedagogy of inclusion.

Drawings

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The Community-centric Livelihood Hub

Author: Parindra Sur
Site Location: Shantiniketan, West Bengal
Institute: Techno India University
Advisor: Sayan Chatterjee

Description

This thesis investigates the potential of architecture to serve as a catalyst for socio-economic development in rural India through the creation of a Community-centric Livelihood Hub in Shantiniketan, West Bengal. The study addresses the challenges faced by rural artisans—particularly in infrastructure, visibility, and sustainable livelihood—by proposing an architectural intervention that integrates traditional knowledge systems with contemporary sustainable design principles.

A mixed-method research approach was employed, combining site observations, stakeholder interviews, and literature review. Comparative case studies of Auroville (India) and METI School (Bangladesh) informed the design philosophy, highlighting models of participatory, environmentally responsive, and culturally rooted architecture.

The final design comprises multifunctional spaces including training centers, market areas, artisan residences, and community halls—organized around vernacular spatial principles and constructed using local, climate-resilient materials. Emphasis is placed on passive design strategies, community engagement, and the preservation of the local Baul and artisan culture.

By contextualizing architectural design within the framework of rural development and cultural continuity, this project contributes to a replicable model for sustainable rural transformation. It demonstrates how architecture can bridge the gap between tradition and innovation while empowering local communities.

Drawings

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Kashmiriyat – A Center for Social Revival

Author: Iqbal Aashiya Hussain Priyanka
Site Location: Srinagar, Jammu and Kashmir
Institute: Sir JJ College of Architecture
Advisor: Dr. Vilas Ramteke

Description

A Cultural Center has long been an architectural design approach to curb the ignorance of social and cultural values of a region. For the region of Kashmir however, the problem is deeper. Kashmiri people have long been guardians of their cultural values and traditions, with a rich blend of civilizations from all over South-east and Central Asia. However, with recent disturbances, the people of Kashmir suffer through plights of depression, social alienation, stark unemployment, drug-use and so on. Once the crown jewel of the country, the closest place to heaven as people say, now finds itself covered under the dark clouds of a collective shared trauma. However, the true glory of Kashmir, Kashmiris and their Kashmiriyat is immortal, and this intervention intends to revive those values. The design intends to kindle the ability to experience healing – as it remains especial for those blessed enough to experience pain and suffering. Therefore, architecture’s inane quality to heal, rejuvenate and revive, births a solution to the plight of Kashmir and its Kashmiris.

Drawings

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From Mortal to Eternal: Spatializing the Ghat as a Ritual and Reflective Space

Author: Ananya V
Site Location: Srirangapatna, Karnataka
Institute: School of Planning and Architecture, Mysore
Advisor: Ar. Srikanth K.S

Description

This thesis reimagines the sacred riverfront of Paschimavahini, one of the rare west-flowing stretches of the Kaveri. The site is historically significant as a traditional pilgrimage destination and a place where families perform post-death rituals and rites of passage connected to the cycle of life, death, and memory. It proposes an inclusive, multi-level ritual landscape that honors Hindu non-cremation death rituals such as shraddha, tarpana, pinda pradana, and asti visarjane. The project highlights the quieter yet important practices of remembrance, offering, and connection to ancestors.
The design presents the riverfront as a living ritual spine. It is not just a place for tourism or urban renewal but a sacred ecology where death, memory, and nature are intertwined. The architecture explores multi-level ritual experiences, from horizontal ghats to vertical structures like treehouse-inspired pavilions. These features symbolize the layered journey of the soul while engaging with the river’s edge, water, and vegetation in a sacred way.
In light of Paschimavahini’s cultural and spiritual significance, the proposal ensures the dignity of both human departure and natural cycles. The design emphasizes spatial fairness and inclusivity, providing equal access and respectful spaces for marginalized groups such as widows, poor families, and the elderly, who are often left out of death-related practices. Ultimately, this thesis reweaves death, nature, and memory into a sacred space. Here, ritual architecture goes beyond mere functionality to reflect tradition, ecology, and the dignity of departure.

Drawings

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Susegad: A Centre for Island Living – Revitalize Economy and Culture through Architecture in Goa

Author: Shreeya Kamath
Site Location: Divar Island, Goa
Institute: BMS College of Architecture
Advisor: Dr. Leena Thombre

Description

This thesis proposes a community–visitor center on Divar Island (Site Location Pin: 15.53439611522159, 73.90173249052955) as a shared platform where locals and tourists come together, designed to nurture cultural exchange while protecting both heritage and ecology. The intent is not only to provide facilities but also to create an environment that celebrates coexistence. For locals, the spaces generate income, revive agriculture, and sustain artisanal practices that risk being lost. For visitors, they provide opportunities for authentic experiences—ones that are mindful, meaningful, and deeply rooted in the island’s identity. Material limitations are embraced as strengths, with locally available resources guiding construction and demonstrating the wisdom of vernacular methods. The architecture resists spectacle and excess, relying instead on its rhythm of blocks, courtyards, and pathways that weave built and unbuilt spaces together. These interstitial areas foster interaction, community gatherings, and a constant dialogue with the landscape. The design ensures that the built does not overwhelm the natural; instead, it frames it. In this way, the architecture blends modestly into Divar’s timeless setting, appearing grounded, enduring, and inseparable from its place.

Drawings

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A Cultural Centre for the Migrants of Champaner

Author: Aishwarya Ramesh Kale
Site Location: Palghar, Maharashtra
Institute: Pillai HOC College of Architecture
Advisor: Ar. Amit Mhatre

Description

“Before their legacy fades into silence, let architecture become the voice that safeguards a vanishing community.” Cultural centres act as inclusive platforms where people gather, interact, and share ideas bridging gaps between generations, communities, and backgrounds. These spaces become cultural landmarks that not only serve the local population but also attract visitors, offering a glimpse into the unique history, traditions, and values of the region. By enabling dialogue and collective engagement, such places nurture a sense of belonging and strengthen the social fabric of urban life.

This thesis centers around the Marathi-speaking Panchal community, aiming to recognize and preserve their craftsmanship, engineering achievements, and traditional wisdom passed down through generations. Despite their excellence in craftsmanship such as die-making and carpentry, the community’s identity remains largely confined to local business circles and neighbourhoods. Their historical journey, especially after migrating from Gujarat to Maharashtra, deserves broader acknowledgment and celebration.

Today, as lifestyles evolve and technology advances, younger generations are becoming increasingly disconnected from their heritage. Many are unaware of their ancestral professions, struggles, and cultural practices, leading to a gradual fading of community knowledge, pride and forgetting their roots. By integrating cultural identity with evolving architectural and economic contexts, this initiative ensures traditional craftsmanship not only survive but thrive—contributing meaningfully to India’s cultural and global economy.

Drawings

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Mukhyadhara : A Skill Development Centre for the Transgenders

Author: Nirmitee Yatinkumar Hule
Site Location: Pimpri-Chinchwad, Maharashtra
Institute: S.B. Patil College of Engineering and Design
Advisor: Ar. Rujuta Pathak

Description

According to Census 2011, India has nearly 4.9 lakh transgender persons, though the figure remains uncertain due to lack of acceptance within families. Transgender communities have existed in South-East Asia for over 4,000 years, referenced in ancient texts, temple carvings, and traditions. Despite their cultural recognition, they continue to face widespread discrimination today. Vocational Training Centres play a vital role by offering technical education in fields such as IT, nursing, and automotive repair, along with professional skills like communication and teamwork, linking practical training directly with future employment opportunities.
In the Western view, eunuchs are “made” through castration, often employed in palaces or harems. In contrast, the Indian perspective considers them “born, not made”—individuals lacking distinct sexual characteristics (Saxena, 2011).
The project aims to empower transgender individuals through education and skills, creating opportunities for economic independence in a safe and inclusive environment. It seeks to promote equality, diversity, and inclusive architecture while addressing needs such as social inclusion, access to basic amenities, legal rights, emotional well-being, and sustainable development.
The scope includes providing basic amenities, healthcare, vocational training, scholarships, legal advocacy, and awareness campaigns. However, deep-rooted stigma, lack of sensitivity, financial constraints, weak policy implementation, limited healthcare access, and community resistance remain major challenges, requiring sustained support for long-term impact.

Drawings

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Museum of Cyclone for Odisha

Author: Jitesh Panigrahi
Site Location: Bhubhaneshwar, Odisha
Institute: Piloo Mody College of Architecture
Advisor: Ar. Shankar Giri

Description

Odisha, often referred to as “India’s Best Kept Secrets,” is a land of immense cultural heritage and natural beauty, has long stood on the frontline of nature’s fury. Situated along the eastern coastline of India, the state has borne the brunt of countless cyclones, each leaving behind a trail of destruction, loss, and transformation. However, with every storm that has battered its shores, Odisha has risen stronger, turning adversity into an opportunity for progress.

The Museum of Cyclone stands as a symbol for the extraordinary strength and resilience—a space that narrates Odisha’s journey from devastation to becoming a global leader in disaster preparedness and mitigation. However, it was the Super Cyclone of 1999 that truly redefined the state’s approach to disaster management. With wind speeds exceeding 250 km/h and storm surges swallowing entire villages, the cyclone resulted in immense loss of 10,000 lives and properties, exposing the vulnerabilities. Yet, it also marked a turning point. —ushering in a new era of scientific preparedness, infrastructural fortification, and community-driven resilience.

This Museum serves 3 main purposes:
1- Memorializing the Past: Honoring those who have succumbed and survived.
2- Educating the Present: Spreading awareness about cyclone preparedness and climate change.
3- Inspiring the Future: Showcasing Odisha’s resilience, adaptive strategies and innovations.

At its core, the Museum of Cyclone is not just a place of remembrance; it is a beacon of awareness and preparedness. In an era where climate change is intensifying extreme weather events, the museum will serve as a vital educational hub, inspiring future generations to prioritize sustainability, disaster resilience, and community cooperation. By chronicling Odisha’s incredible journey of survival and innovation, the museum will ensure that the sacrifices of the past serve as lessons for the future.

Charles Correa; In his essay “The Blessings of the Sky”, he emphasises architecture’s role in celebrating the human spirit through place. Giringaput, situated on the periphery of Bhubaneswar, offers a site layered with symbolism and strategic relevance for the Museum of Cyclone. Cradled between rivers and hills, it embodies the delicate balance between nature’s power and human perseverance. As a burgeoning nexus of IT and innovation, it resonates with Odisha’s trajectory —from vulnerability to resilience. The site becomes not just a backdrop, but an active participant in the narrative—bridging memory, landscape, and a climate-conscious future.

Drawings

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Institute of Garbology

Author: E Cynthia
Site Location: Coimbatore, Tamil Nadu
Institute: CMR University School of Architecture
Advisor: Prof. Renuka

description

In the tapestry of our urban landscapes, waste has become an ever-growing shadow, woven from the threads of rapid urbanization and swelling populations. This thesis embarks on a journey to illuminate a path towards a harmonious coexistence between our cities and the environment. By embracing the philosophy of a second life for products, we transform refuse into resources, curbing the blight of landfills and the scars they leave upon our Earth. Through the lens of interdisciplinary research and collaboration, thesis seek to craft a climate-responsive paradigm, where waste management is crucial, empowering communities to actively reduce environmental impact. Waste management serves as a hidden thread in the fabric of climate response, weaving together efforts to reduce methane emissions from landfills and breathe new life into resources through recycling and reuse. This vision aspires to weave a new fabric of sustainability, where urban resilience and environmental stewardship intertwine, fostering a society deeply attuned to the delicate symphony of our planet’s needs

drawings

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