E -Waste Park

Author: Jitish Jain
Site Location: Delhi
Institute: College of Architecture – SVIT
Advisor: Prof. Sailesh Nair

description

E-waste poses a significant environmental challenge due to its non-biodegradable, toxic nature and widespread presence in ecosystems, impacting soil, air, water, and organisms. Electronic products also contribute to climate change. Manufacturing devices results in a carbon footprint, highlighting the need for eco-friendly processes and sustainable product lifecycles.
E-waste management involves proper disposal and handling of discarded electronics like phones, computers, and TVs. This includes collection, transportation, recycling, refurbishment, and environmentally conscious disposal.
In Delhi, adopting sustainable e-waste management yields advantages, such as enhancing the microclimate, reducing pollution, mitigating soil degradation, and potentially raising Yamuna River’s water level, affected by improper disposal. This approach benefits broader ecosystems and marine life. It emphasizes the intricate link between human activities, the environment, and species welfare.
The architectural intervention addresses e-waste management while providing experiential learning within a sustainable framework for local betterment. This multifaceted approach requires thoughtful design.
Architecturally, the intervention integrates e-waste collection, sorting, and recycling into urban spaces, serving as educational hubs. Interactive displays, workshops, and exhibitions offer insights into e-waste impacts and sustainability. This intervention blends functionality and sustainability by managing e-waste and offering educational and communal spaces, fostering awareness, participation, and positive local impact.

drawings

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Dexterity, Tactility – Ameliorate Workhshop for Potters

Author: Anusha V.
Site Location: Puducherry
Institute: C.A.R.E School of Achitecture
Advisor: Ar. Henya Stephi. S

description

The craft based communities in Tamil Nadu are losing its importance as a part of cultural heritage. This automatically becomes the cause for losing the art in few years. Hence by designing a catalyst of built form in the urban context will help to upfront the bridging of Rural into the Urban and can be a plane of medium where they can meet. Thus the built form can have the role of establishing the importance of these beautiful crafts that has been a skill gifted from generations to another generation which is something that cannot be replicated aswell into the fast pace urban livelihood.
After inquiring with the local artisans, one thing that came repeated was that they dont have enough space to build or keep a fire place or kilns to make their products because of this they are forced to outreach to very remote villages and get the products and resell them back in the urban neighbourhood. Even though they are skilled potters, the lack of space and right materials and source force them to become sellers instead of the creators.
Understanding the Spatial needs of certain crafts and its importance of material knowledge and trying to input the importance of dexterity into built form which can become an easier medium in a fast paced urban context to acknowledge it. Hence uplifting the community engagement between two different planes.

drawings

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Architecture for a Culture – A Case of Bonda Tribe

Author: Sugyani Sahu
Site Location: Majhiguda, Odisha
Institute: Faculty of Architecture – Sri Sri University
Advisor: Ar. Rishab Ray

description

Introducing the Eco Tribal Village, an architectural thesis project that embraces vernacular, sustainability, and climate-responsible designs. This project is centered around the Bonda tribe, as they are the heart and soul of the endeavor. By meticulously considering their needs and preserving their rich heritage, we aim to create a harmonious space for both the tribe and tourists The design seeks to foster cultural exchange by providing designated areas for tourists to engage with the Bonda tribe, promoting understanding and appreciation.
By creating community areas for traditional activities and crafts, tourists can engage with the Bonda tribe and gain a deeper understanding of their way of life. Emphasizing responsible tourism practices, such as waste management and ecological conservation, will further contribute to the long-term preservation of the region’s natural beauty.
Through this project, the hope is to create a sustainable and inclusive community that respects the environment and preserves the cultural identity of the Bonda tribe. Hence, by building a vibrant and eco-friendly haven that honours tradition while embracing the future.

drawings

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Centre for Culture, Thrissur

Author: Neeraj Rajeev
Site Location: Thrissur, Kerala
Institute: Nitte School Of Architecture Planning and Design
Advisor: Prof. Malini C.H.

description

The Center for Culture is an attempt at making a singular destination for anyone practicing or interested in the cultural arts. The project aims to service artist, performers, tourists and enthusiasts. This is achieved through an array for inter related exhibition, performance and learning spaces incorporating the local climatic considerations.
The final design takes inspiration from studies performed as well as the local architecture of Thrissur. The design provides spaces that cater to various stakeholders through Museum, Workshops, Private studios and Artist’s private spaces, indoor and outdoor performance spaces, markets, restaurant, café and outdoor areas while satisfying necessary services required by each individual functional space. The structure incorporates multiple climate control aspects to keep the building cool due to Kerala’s hot and humid climate. The structure incorporates jaalis into its facade to allow for seamless air movement. Jaalis have been placed on two parallel faces of the building to allow cross ventilation. The clay tile roof is placed on a steel frame that acts as ventilation system. The framework allows for warm air to escape as well as allows cross ventilation. The framework is dotted with a shutter system that can be controlled based on need.

drawings

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Reimagining the Urban – A Bird’s Eye Perspective

Author: Anushri Joshi
Site Location: Mumbai
Institute: Kamla Raheja Vidyanidhi Institute of Architecture
Advisor: Ar. George Jacob

description

Over the years, the concept of climate has developed broader connotations with global phenomena like climate change and crisis becoming topical issues of the Anthropocene. The idea of deriving comfort by designing a singular structure is becoming a myopic activity as it can no longer be viewed in isolation and is an entity that gets affected by and is a part of larger systems, forms and dependencies.
The idea of creating a comfortable space thus needs to negotiate larger thresholds while also stepping beyond the frame of the ‘human’.
The thesis chooses to focus on a dense urban swatch in Mumbai – the Dadar kabutarkhana area- as a template for demonstration of how the architectural form can start responding to the local and global climatic forces in conjunction with the economic, socio-cultural forces to sustain and forge relationships and create livable environments. The significance of biodiversity as a tool for climate resilience has been well-established and is thus, the main focus here. The building is imagined as a template for the neighbourhood that triggers morphing of the form of the city to respond to the topical issues broached by climate, thus enhancing overall livability and rendering the interpretation of the idea of ‘form follows climate’ extremely relevant for the current times.

drawings

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Architectural Response to Resilient Landscape

Author: Ritik Jain
Site Location: Chennai
Institute: IES College of Architecture
Advisor: Prof. Prachi Nandkarni

description

The design proposal for the Foreshore Estate, Chennai residential neighbourhood showcases a sophisticated and thoughtful urban development approach. Rooted in the site’s natural topography, the concept elegantly integrates surface runoff considerations, exemplifying a strong grasp of sustainable design principles within the contextual framework. At its core, the design revolves around four pivotal landscape principles: delay, store, protect, and recharge. This strategic focus on water management and flood resilience underscores a commitment to both environmental and practical concerns. The innovative clustering strategy, based around sunken courtyards and communal spaces, not only cultivates a profound sense of community but also ingeniously transforms into water storage facilities during flood occurrences. Shared landscape spaces take precedence over private gardens, fostering an inclusive and vibrant communal atmosphere. The arrangement of landscape clusters interwoven with diverse amenities like urban farms, sports facilities, and age-tailored
play areas mirrors a comprehensive approach catering to a wide range of resident needs.
Remarkably, the housing typology explores low-rise, high-density living, manifesting as five-level residences with a mix of private gardens, patios, and terraces. This architectural diversity enriches the visual landscape while providing residents with multifaceted outdoor spaces for leisure and social interaction.
The integration of landscape and architectural strategies attests to a meticulous design ethos, as evidenced by the intricate consideration of site setbacks and spatial relationships. In summation, the proposal exudes a professional demeanour, seamlessly aligning with contemporary urban design paradigms. Through its holistic melding of site-specific attributes, sustainability imperatives, and community oriented features, it lays a robust foundation for an all-encompassing, dynamic, and resilient residential enclave.

drawings

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Mangroves Conservation Centre & Eco Park- Panju Island

Author: Maitreyee Samant
Site Location: Panju Island, Mumbai
Institute: VIVA School of Architecture, Virar
Advisor: Ar. Farozan Ansari

description

Mangrove and its Ecosystem
Mangroves are salt-tolerant evergreen forests, found in the intertidal zones of sheltered shores, estuaries, tidal creeks, backwaters, lagoons, marshes and mudflats of the tropical and subtropical latitudes. Mangroves are of great ecological importance and socio-economic significance as a hub for tropical marine biotope.
Aim: To develop a Conservation Centre resonating the ideology of an additional buffer, creating a connection between the mangroves and the people, while protecting the nature and the wildlife around and within the water, also providing various facilities of wetland activities which can make the space connected and enjoyable to the user.
This project arises from the issues of cutting the mangroves for the development, infrastructural, bridges, seaways, etc. So, the need for building such Conservation Centres which is beneficial for the Environment and let people understanding the importance of mangroves within the Ecosystem; with the spaces evolving and exploring the centre with respect to the mangroves activities and their characteristics features which attracts the users for conducting counselling, workshops and seminars, so that they educate the society and their self too.

drawings

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Muquish: An Innovative Hub for Exploration and Preservation of Kutch Textile Craft

Author: Vandana K
Site Location: Bhuj, Gujarat
Institute: School of Architecture, REVA University
Advisor: Ar. Neeraja Jayan

description

Kutch is the Largest district in India, which is well known for it’s rich cultural heritage, diverse communities and fine handicrafts. Inspite of having rich art and culture within the region due to several socio-economical reasons art especially textile art within this region have been on the verge of extinction.

There is a high need of another art resource center within the region because right now there is only one coherent body that works to provide a platform to acknowledge and revive dying art within kutch. So, there’s definitely a need and scope for another resource center within the region.

Muquish is a textile art resource center in Kutch that works up on the initative to preserve and uplift certain dying textile art forms and their art communities in Kutch. It mainly focuses on 4 textile art forms they are – Namda, Rogan art, Ajrakh block printing, Bela printing.

This as an architectural built form bridges the gap between two distinct design communities, they are the craftsmen and the designer. By seamlessly integrating traditional building techniques with modern functionality, the centre not only pays tribute to the rich architectural heritage of the region but also serves as a testament to the harmonious co-existence of human creativity and environmental responsibility.

drawings

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IGBC Regional Office and Training Centre Pune

Author: Manasi Mangesh Shirke
Site Location: Pune
Institute: Dr. B.N. College of Architecture
Advisor: Prof. Prajakta Kulkarni

description

“Powering a Greener Tomorrow”. Currently buildings are consuming around 40% of energy and India has committed that India will be having carbon neutrality by 2070 and it will be in all building sectors buildings play a very important role as they consume more amount of energy and that is why green buildings are going to contribute a lot in 2070 goal. We have various types of green building rating systems such as IGBC, LEED, GRIHA etc.
The IGBC provides guidelines and criteria for the design, construction and operation of green buildings in India. IGBC is one of the leading green building energy certification. IGBC has their headquarters in Hyderabad and they are having lots of projects in south, north and central India.
According to research, maximum green buildings are in Mumbai and Pune. Pune is one of the pioneers in IGBC rating system and that is why it is proposed to have a regional office and training Centre in Pune and as it is green certifying agency, it has to show greenness through its design.

drawings

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Gram Udyog Kendra- A Rural Facilitation Centre

Author: Himanshu Lad
Site Location: Wardha, Maharasthra
Institute: Bharati Vidyapeeth CoA
Advisor: Ar. Milind Bidave

description

Farmers are dependent on nature. When a farmer is totally relying on agriculture, he covers almost all the prime and even secondary land with it. Thus, the farming family becomes dependent on the market for profits and revenue to sustain their family. Depleting groundwater levels, pest attacks, and mounting debts have made farmers’ lives in Vidarbha notoriously difficult. Because of the failure in agriculture, total dependency on agriculture for income, and due to various reasons, farmers often take loans from private money lenders and land in a debt trap. In order to be completely independent of agriculture, we need a settlement, a model that allows us to carry outside trades.
There is a need for a rural facilitation venter, where small-scale industrial activities could be carried out where the goal would be to make the sale of the commodities to the open market. Through this model, the income of the farmers would not be streamlined but of a multisource nature. Being self-sufficient (at the individual or even village level) and increasing the value of crops will help solve Vidarbha’s agricultural crisis. There are numerous business activities that are practiced rurally on a small scale which if practiced in substantial numbers could generate revenue that can stabilize farmer families’ economies. ‘Value addition to the farmer’s yield’ could be an answer for the negative tag Vidarbha has got for agriculture.
The intent of the project is to provide a physical space for the farmer families of the villages of Vidarbha, where they could come together and practice rural-level industrial activities so that the farmers do not have to depend on agriculture as their main source of income.

drawings

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VIjayavara – The Urban Cultural Plaza

Author: Abhinav Dibbidi
Site Location: Vijayvada, Andhra Pradesh
Institute: Jawaharlal Nehru Architecture And Fine Arts University
Advisor: Prof. M. Vinod Ganesh

description

Swaraj Maidan, also known as the PWD Grounds in Vijayawada, faces transformation endangering its historical importance. The government intends to convert it into a park, potentially erasing its past. This involves replacing structures like Raithu Bazar with a park housing an Ambedkar statue. The ground has been a venue for exhibitions, circuses, and cultural events, holds sentimental value for locals and visitors from cities like Eluru, Rajahmundry, and Khammam. Events like the Industrial and Agriculture Exhibition and Book Exhibition unite communities in shared experiences.

This impending transformation prompts contemplation on the interplay between heritage and progress, underlining the need to strike a balance between preserving history and catering to contemporary needs.

Responding to this, the thesis project proposes revitalizing the underused PWD grounds in Vijayawada into an inclusive urban cultural plaza. Combining permanent facilities like a cultural centre, multi-level car park, and food courts with temporary activities such as industrial expos, amusement fairs, book festivals, and religious events, adding vibrancy year-round.

Embracing the city’s hot climatic conditions, the design integrates climate-responsive strategies, aiming to craft a vibrant cultural plaza symbolizing the city’s identity, fostering community engagement, and driving socio-cultural and economic vitality.

drawings

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Kallaripayattu Cultural & Rejuvenation Centre – Raigad, Maharashtra

Author: Nitiksha Mota
Site Location: Raigad, Maharashtra
Institute: Dr. Baliram Hiray College of Architecture
Advisor: Ar. Shalini Shrimali

description

In the heart of India’s cultural diversity, a unique project blends martial arts, Ayurveda, and meditation for holistic well-being. This endeavour creates a harmonious fusion of Kalarippayattu’s vitality, Ayurvedic healing, and mindfulness. The design meticulously choreographs comfort through natural ventilation, bridging tradition and innovation. Nestled in Asare village, the site’s natural beauty aligns with the project’s ethos. Courtyards, earth tunnels, and thoughtful materials contribute to the eco-friendly design. A rainwater garden and water conservation efforts enrich the village. Ultimately, the project seamlessly weaves together heritage and nature for a transformative experience.


Amidst the land where rivers flow,
A project’s tale begins to grow.
Harmonizing form and function’s grace,
Crafting thermal realms in nature’s embrace.


With sensitivity to land’s contour,
A vision that’s true, forevermore.
Materials chosen, both wise and old,
Stories of the past, they softly unfold.


Ventilation dances in nature’s hand,
A choreography of breezes, oh so grand.
No machines, just whispers of air,
In this mindful design, they all share.


A climate-responsive form takes flight,
Nurturing comfort from morning to night.
River nearby, respected in every glance,
A symbiotic relationship, they enhance.


Cleaner environment, a gift to bestow,
Where harmony and purpose eternally flow.
In this project’s embrace, nature and art,
A tapestry woven, a masterpiece’s start.

drawings

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The Labyrinth – Kinesthetics & Cultural Centre

Author: Anu Regi John
Site Location: Vagamon, Kerala
Institute: DC School of Architecture & Design
Advisor: Ar. Gayathri Raj

description

AIM

To design a dance district, a space that is dedicated to the power of movement and healing. To focus on the change the healing power of movement can bring to the lives of those not able and to make it possible for anyone and everyone to teach and learn dance without any barrier, to abolish the discriminations and presumptions relating to dance.

OBJECTIVES

1. To Provide a better life to those suffering from different physical and psychological issues through Dance/movement therapy.

2. To establish a centre for every form of dance whether Indian or International.

3. To provide a space for all dancers irrespective of their age, gender, colour, caste, style, physical conditions etc…

4. To give a new definition to dance as an industry and a career, raising its standard in the society.


SCOPE

1. This project covers the teaching and learning of all known and feasible forms of dances in India, from Indian classical and traditional forms to International dances on a single platform.

2. Dance education for the differently abled.

3. Dance education for all ages.

4. Promote tourism and international growth in the field of dance

LIMITATIONS

1. The project is limited to the teaching, learning and display of dances that are currently in the growth phase within the country such as Hip Hop, Salsa, Contemporary, Ballet, Bachata etc..

2. The project considers Dance forms alone.

drawings

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Envisaging Built Environment Influencing Student’s Learning: A Case of School of Planning and Architecture, Pondicherry.

Author: Hinal Patel
Site Location: Pondicherry
Institute: SAL School of Architecture
Advisor: Ar. Parth Lavti

description

The project intends to design the campus of School of Planning and Architecture, Pondicherry within the Pondicherry University by Re-thinking a campus that provides adequate living and learning environments.
The central idea lies in enhancing the learning environments by establishing a strong relation between space and place, energized from the rich cultural / natural heritage and rural landscape of Pondicherry.
The spatial organization of campus is into five zones: Academic, Central, residential, sports, and public having distinct identity and creating a sense of continuity and harmony, Incorporating biophilic design, participatory design, and smart systems.
The design contemplates diverse nature of spaces such as social and community spaces, flexibility of spaces, and functionality of spaces through network of pathways, courtyards, and green spaces, considering various aspects such as light, temperature, landscape, and sustainability that influence students’ learning.
The campus of the S.P.A, Pondicherry is envisaged to integrate form, function, climate, culture, and context. A place where architecture is not only taught but also practiced and celebrated.
So, the project envisions a campus that fosters creativity, collaboration, and culture that reflects the values and vision of architectural education and practice in the contemporary context.

drawings

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Affordable Housing – Reviving the Life of Lucknow through Inclusive Approach, a Response to Humanity

Author: Arti Yadav
Site Location: Lucknow
Institute: Faculty of Architecture – Integral University Lucknow
Advisor: Prof. Zeba Nisar

description

The design aims to create an integrated society with different nature of buildings within self-sustaining society to fulfil the basic necessities of people of economic weaker section, the design not only focuses on housing but it creates opportunity for the people of society to enhance their living standards by developing their skills and establish a good future for them and their coming generations. The proposed site is situated near Medanta Hospital, adjacent to Shahid Path, in Lucknow by (PMAY). The project’s central concept revolves around biophilic design, incorporating green vertical walls and graded terraces atop the buildings to enhance thermal comfort. Alternative green terrace gradings within the housing blocks further facilitate proper ventilation and comfort. Design interventions that harmonize with the surrounding context and cater to the specific needs of the community.
Sustainable Architecture also plays a major role in Incorporating eco-friendly materials, energy-efficient systems, and green technologies to minimize the environmental impact. The thesis underscores that innovative architectural designs and sustainable practices can collectively elevate the quality of affordable housing, contributing to an improved overall living experience.

drawings

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Rurban Residential School at Kesnand, Wagholi

Author: Pranav Khandve
Site Location: Wagholi, Pune
Institute: Dr D Y Patil School of Architecture
Advisor: Prof. Shubhada Chapekar

description

R-URBAN schools are innovative educational institutions that combine the principles of sustainability, urban agriculture, and community engagement. The term “RURBAN” stands for “rural-urban” and signifies the integration of rural and urban elements within these schools. R-URBAN schools aim to address the pressing challenges of urbanization and environmental degradation by promoting sustainable practices, fostering ecological awareness, and empowering communities. These schools go beyond traditional academic learning and adopt interdisciplinary and experiential approaches to education. They provide students with hands-on experiences in sustainable practices, such as organic farming, waste management, renewable energy, and water conservation. By engaging students in practical activities, R-URBAN schools encourage critical thinking, problem-solving, and a deeper understanding of environmental and social issues. Community engagement is a central aspect of R-URBAN schools. They actively involve local communities, residents, and organizations in their initiatives. By collaborating with the community, R-URBAN schools promote shared responsibility, social cohesion, and sustainable development at the grassroots level. They serve as hubs for knowledge exchange, capacity building, and the empowerment of individuals and communities to create sustainable and resilient urban environments. R-URBAN schools are not just educational institutions; they are catalysts for positive change. By integrating sustainable practices, urban agriculture, and community engagement, these schools contribute to the development of environmentally conscious and socially responsible citizens who can actively participate in building sustainable urban communities. Through their innovative approaches and holistic vision, R-URBAN schools play a vital role in addressing the challenges of urbanization, fostering environmental stewardship, and promoting sustainable living in India and beyond.

drawings

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The Last Pause – As a Belief in Varanasi

Author: Anuj Kumbhar
Site Location: Varanasi
Institute: Vishwaniketan College of Architecture, Arts & Design
Advisor: Prof. Viji Nair

description

Varanasi, often called the spiritual capital of India, is a city known for its ancient rituals and traditions, particularly those associated with death and cremation. The existing facilities for accommodating visitors during these sensitive times are inadequate, leading to overcrowding, environmental concerns, and limited amenities. “The Last Pause” is an innovative solution that aims to transform the perception of Varanasi’s death rituals by providing a well-designed and inclusive space that caters to the diverse needs of its visitors. The primary objective of “The Last Pause” is to create a sustainable and respectful space that honours the traditions and beliefs of the people coming to Varanasi for death rituals. By establishing this intervention, we seek to provide a range of facilities and programs that will enable visitors to grieve, perform rituals, seek solace, and find a sense of community during their stay. Furthermore, by incorporating landscape irrigation and other sustainable features, the project aims to contribute positively to the city’s environment. “The Last Pause” envisions a transformative architectural intervention that redefines Varanasi’s social spaces and rituals surrounding death. By providing a comprehensive and respectful environment, this project aims to create a harmonious experience for visitors while upholding the city’s cultural heritage. Through collaboration between NGOs and the government, this aims to foster a deeper sense of community and understanding in one of India’s most spiritually significant cities.

drawings

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Smriti – Reminisce of a Memory – Dementia village

Author: Vibha G Rao
Site Location: Bengaluru
Institute: SJB School of Architecture & Planning
Advisor: Ar. Shreya Shetty

description

Memories, emotions, and spaces are all interconnected in our lives. But what about the person whose memory is fading and therefore finds it uncomfortable to live in an environment that is not conducive to them? This is true for people with dementia.

Architecture can play an important role in the lives of people with dementia. The design of buildings and spaces can enable or hinder our ability to navigate, communicate and engage with our environment.

So, there are other ways to create an environment for them and protect their dignity by showing the spectrum of designed spaces beyond the physical realm. Project focused on studying the impact of dementia-friendly architecture to create a supportive and empowering environment for people with dementia so that they can live with dignity and independence for as long as possible.

Design includes:

• Giving people with dementia a sense of community

• Maintaining quality of life in progressive dementia

Environmental cues that highlight different spaces.

• Flexible design features that facilitate individual lifestyle continuity, facilitate memory, allow for changes in people’s needs and reactions.

• Different settings and features of interest

• Discreet security features that support freedom while reducing risk to a level acceptable to employees and families.

drawings

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Memorial Complex for Victims of Bhopal Gas Tragedy, At Bhopal Smaran Sthal

Author: Suraj Satish Wani
Site Location: Bhopal, Madhya Pradesh
Institute: PDEA COA – Akurdi
Advisor: Ar. Nishant Gawande

description

The Bhopal Gas Tragedy Memorial Complex is a sustainable project that pays tribute to the victims of a devastating industrial disaster while prioritizing environmental, social, and economic sustainability. The complex incorporates sustainable design elements and practices to minimize its environmental impact and ensure long-term viability.

Energy efficiency is prioritized through natural ventilation and lighting in the admin block, reducing energy consumption and enhancing visitor comfort. The use of durable materials like exposed brick and concrete minimizes maintenance needs and resource-intensive renovations.

Water conservation measures, including rainwater harvesting systems, are implemented to reduce reliance on external water sources. Social sustainability is promoted through facilities like knowledge and skill development centres, fostering community empowerment and economic growth.

The project’s economic sustainability is achieved through responsible design and operation, reducing maintenance costs and supporting the local economy through a food court for local vendors.

The complex serves as a solemn memorial while exemplifying sustainable practices, inspiring future developments and responsible resource management. It stands as a testament to the fusion of remembrance and sustainable principles, creating a lasting impact on the affected community and the environment.

drawings

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Introspection Forest

Author: Utkarsh Arun Jagtap
Site Location: Satara, Maharashtra
Institute: CTES College of Architecture
Advisor: Kirti Desai

description

There are two sections to the project: introspective programs and residential spaces. The section on introspection is designed to help the user connect with their inner self.
The property is 32 acres in size. The goal is for users to explore the site as they explore a part of themselves.
The light pavilion, reflection cube, introspection cave, bamboo forest, and unbuilt are all part of the Introspection program, and they all incorporate the five elements of nature.
Residential units are classified into three types: single occupancy, double occupancy, and dormitories.
Site preservation, wind direction, afforestation, retaining/maintaining ground water table, and greenhouse effect reduction have all been effectively addressed.

drawings

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