Author: Pranjal Rajendra Paithankar
Site Location: Sindhudurg, Maharashtra
Institute: Vidya Pratishthan’s School of Architecture
Advisor: Ar. Priyanka Barge
drawings
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Open Mall and Restaurant at Sindhudurg
Tag: Institutional GM
The Foodhill
Author: Rajvir Singh
Site Location: Navi Mumbai
Institute: Dept. of Architecture Guru Nanak Dev University
Advisor: Dr. K.S. Chahal, Dr. R.S. Aulakh
description
The Food Hill, a Vertical Farming Institute in Kharghar, Navi Mumbai envisions an educational model, fostering empowerment and community building of farmers, researchers, students, and city dwellers.
Positioned in a dense urban environment, this project addresses the escalating concern of the limited accessibility to organic produce in urban settings. The project is driven to build a mixed-use vertical farming institute with its program broadly covering Academic, Indoor Farming areas, Research labs, Housing, Administrative zone, Recreational, convention center, organic food shipping store, and Market areas to create a self-sustaining environment.
Notably, there are strict laws to protect forest lands, but no such exists for agricultural lands which are taken up by authorities in the name of urban development. This project acts as an experiential memoir of the agrarian practice that was once the primary purpose of this land. Farming which made us settle and shift from our nomadic lifestyle, has now been ousted from our immediate view in the urban areas. This vertical farming institute aims to bring agriculture back to urban dwellers’ lives via education.
drawings
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Indian Institute of Skills, Nasmed, Gujarat
Author: Aashima Mathur
Site Location: Gujarat
Institute: Manipal University Jaipur
Advisor: Ar. Nexa Saxena
description
Gujarat is a hub for artisans, skilled labor, and the workforce. Indian Institute of Skills attempts to strengthen and preserve Gujarat’s rich artisanal traditions and skills. Through the skill development of these artisans, this Institute aims to provide a platform for the promotion of traditional Handicrafts and allied cultural practices and the processes involved in their creation and the preservation of culture, community, and local environments. Creating a common roof under which a range of local and traditional craftsmen and other stakeholders can exchange ideas and collaborate. The vision is to create a sustainable Indian Skill and Craft Institute that values craft, handicraft, and space. The project aims to create inclusive craftmanship hubs that serve as spaces for traditional artisans, trainees, and the surrounding community to engage, collaborate, and learn. The project will encompass workshops for artisans to exchange knowledge and enhance their craft. These spaces promote skill development and creativity by providing the necessary tools and supplies. The design shall also include communal gathering areas for social interaction and cross-cultural exchange. The project also includes designated areas for the preservation of traditional knowledge and promoting mentorship and learning among generations of craftsmen and skilled workforce.
drawings
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Interpretation Hub for Bishnupur’s Cultural Heritage
Author: Mayuri Dutta
Site Location: Bishnupur, West Bengal
Institute: Piloo Mody College of Architecture
Advisor: Ar. Anshuman Mishra
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Cultural Odyssey: Exploring Theyyam, Kannur, Kerala
Author: Ankita Vinod
Site Location: Kannur, Kerala
Institute: IES College of Architecture
Advisor: Ar. Vineetha P.S.
description
The Theyyam Interpretation Centre in Kannur is dedicated to uplifting the Theyyam
community and enriching enthusiasts’ understanding of this cultural art form, deeply
rooted in Northern Kerala’s heritage. The Centre aims to deepen appreciation for Theyyam,
as an artistic expression and a vital conservator of tradition and spirituality.
A key focus of the Centre is the preservation of sacred groves, integral to Theyyam
traditions. These natural sanctuaries are essential for maintaining the region’s biodiversity
and spiritual heritage. The design incorporates central landscaped areas, grove enclaves,
and corridors that seamlessly transition between indoor and outdoor spaces, all
thoughtfully integrated with the local climate and the Kerala traditional architecture.
The Centre uses locally sourced materials and climate-responsive design elements to
ensure comfort and sustainability. Multifunctional spaces, courtyards, and groves are
designed to foster community interaction, providing open, flexible areas for knowledge
exchange and connection.
By blending traditional architecture with climate-conscious design, the Centre preserves
cultural heritage and embodies the harmony between man, nature, and the built
environment, standing as a beacon of cultural preservation and environmental
conservation.
drawings
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Cultural Reawakening – A New Chapter for the Historic Zones of Old Goa
Author: Urvi. S. Shanbhag
Site Location: Old Goa
Institute: School of Planning and Architecture, Mysore
Advisor: Ar. Srikanth. K. S.
description
Revitalizing the heritage area of Old Goa is a multifaceted endeavor that necessitates a comprehensive approach, community involvement, and a long-term commitment to conserving its unique cultural and historical relevance for future generations. It is an important undertaking to ensure that this rich heritage is cherished, safeguarded, and shared with the globe. The Historic City of Old Goa, also known as Velha Goa, was the historic capital of Portuguese India and a major seat of the Portuguese Empire from the 16th to the 18th centuries. Located along the Mandovi River in the Indian state of Goa, Old Goa was a bustling metropolis at its heyday, known for its wealth, architecture, and religious institutions. The goal is to comprehend and interact with this dynamic, ecologically sensitive design process, to understand the dynamics that cause inhabitation, and to identify ways for architects to participate in this process.
When people, context, and climate change, why can’t architecture modify to stay pertinent and withstand the changing times? The Architecture of Ephemeralityis an attempt to engage the user with something ancient and something new by utilizing possible aspects of imagination, association, and relation. Design is viewed as a continuous state transition that might provide different solutions to change.
drawings
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Unseen Boundaries : Lost Communities
Author: Zaid Imran Inamdar
Site Location: Mumbai
Institute: AIKTC School of Architecture
Advisor: Parag M. Rawool
description
The revitalisation project for the Turbhe quarry seeks to address social and environmental issues while repurposing the abandoned site as a community centre. In order to provide income for the locals, the project, which is in partnership with Arphen NGO, combines small-scale industries such as the production of soap, paper plates, incense sticks, and more. Semi-public areas are incorporated into the design to promote social interaction and community cohesion during gatherings. Arphen’s bridge classes are implemented to support education, guaranteeing that local youth receive a foundational education before enrolling in government schools. Sewing, carpentry, and pottery workshops at Site 1 offer chances for skill development, thereby improving the standard of living for the community.
The project emphasizes sustainable building techniques to create comfortable and resilient structures. The interior spaces are improved by the use of jack arch slabs, filler slabs, gabion walls, and guna tile roofing, which also lessens environmental impact and improves thermal comfort. The quarry rehabilitation center at Site 2 is equipped with shipping containers, which were selected for their adaptation and ease of transportation. These containers also serve as a template for rehabilitating other quarries in the region Additionally, the project creates policies to assist in the long-term restoration of quarries, guaranteeing a comprehensive and sustainable strategy for reviving the Turbhe site and enhancing the quality of life for the impacted community.
drawings
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Spatial Practices for Planetary custodianship
Author: Harish Karthick V
Site Location: Vasanth Nagar, Bangalore
Institute: BMS College of Architecture
Advisor: Ar. Anand H M
description
Spatial Practices for Planetary Custodianship explores the crucial intersection of climate, environment, and ecology within the built environment, focusing on the Planetary Boundaries framework. It examines climate science and IPCC reports to assess current carbon expenditures in construction and the urgent need to limit our impacts. The study investigates new forms/cultures of building to drastically reduce environmental impact, with particular emphasis on the AEC Industry in the Global South. It throws light on the potential of decision-making that corresponds to the absolute lowest environmental impact possible in a context, and strives to make those decisions with an Impacts-first Decision Framework that undertakes design-stage LCAs, simulations, modelling, and analyses.
The proposed project, Centre for Climate Change: A Climate Museum, Climate Science Research Facility, and Incubation Hub for Climate-positive Start-ups serves as a practical application of the research findings. Situated in Bangalore, India, this project aims to showcase the impacts
of the climate and ecological crisis while embodying low-impact building practices through energy/comfort modelling, materiality, and design for disassembly. The project not only addresses the urgent need
for environmental consciousness but also aspires to be a catalyst for widespread adoption of sustainable spatial practices in the Global South.
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Research Centre for Renewable Energy & Sustainable Technology
Author: Sanika C. Raut
Site Location: IIT Jodhpur, Campus B , Rajasthan
Institute: Vivekanand Education Society College Of Architecture
Advisor: Dr. Prof. Anand Achari
description
The project’s goal is to establish a centre focused on technology improvement in the RE industry. The major purpose of the center would be to completely transform the RE sector by doing high-quality research in technology, science, and with an industry connection. Because it is a multi-disciplinary area, it requires innovation and collaboration with many sectors and stakeholders. Its primary focus will always be on the advancement and development of the country’s economic growth, social development, and environmental effect.
The centre would be recognized as an education and Entrepreneurship ecosystem Which will be engaged in high quality of research in technological field with also incubation facilities, training centers which will boost the growth and development and will address the issues and barriers by finding solutions of the gaps that needs to be addressed in the field.
Design aim: To create a cutting-edge research facility that is not just energy efficient but also responds to the site’s climate and cultural environment, demonstrating net zero energy.
Design Objectives:
- To design a research institution that is technologically advanced while also having a low environmental effect.
- Always be responsive to user needs and expectations so that a campus is highly functional, memorable, motivating, engaging, and that effortlessly integrates with the surrounding environment without creating any boundaries and generates a sense of belonging.
- To create places that are highly interactive and collaborative for users from all disciplines, as well as a facility that serves as a model for all persons in interdisciplinary fields who can demonstrate technological innovation in real time.
- To preserve the essence of the region’s culture and respond to climate change, but also to adapt to low-energy technology while also contributing to the enhancement of the surroundings and the building.
- To establish a cutting-edge research centre that tackles issues of sustainability, safety, flexibility, and adaptability to current and future advanced technologies.
Context & Climate Responsive Design.
Design should focus on the context regionalism and architecture culture and its heritage and response to the local climate factor and understanding the micro-climate of the site. To analyse the site conditions and all the physical aspects of site and come up with better solutions to address the issues of site with careful planning which will be resilient enough to withstand future climatic changes. The climate changes that are happening needs to addressed by using passive strategies as much as possible so that not much of active strategies are used to avoid the high energy consumption, also to use less raw material a possible so that it does not impact environment and using a strategy of regenerative materials that can be used again in the technologies or equipment’s that are going to be in the research facility.
Technological and Sustainable Design Integration.
Understanding local building processes and materials, as well as employing local materials. Understanding local construction methods and implementing them in today’s context, as well as the importance of local materials used in hot and dry climates in all historical architectural buildings with current technology intervention of todays and vernacular strategies
Reduce, reuse, and recycle will be the major goals for campus sustainability in all aspects of using resources, diverse service systems, and construction systems to reach net zero energy building. To consider natural ecosystems and water conservation with various rain water harvesting systems to preserve as much water as feasible. To always keep n mind that address the environmental impacts with regards to technology and how can be both integrated very well that neither of the things gets impacted in a negative way.
Passive strategies:
To allow the seamless flow of light, air, and thermal environment into the built form, which can be controlled by building design strategies that will not only protect from harsh environment but will also allow these environmental elements to provide us with the necessities that are required for human comfort. Each building element will have a variable permeability based on the nature of the material to let each environmental control element into the created area.
Jodhpur’s vernacular architecture employs traditional ways to provide comfort in both the summer and winter seasons. Institutional buildings consume more energy, and if they have laboratories and research rooms, they will need a lot of energy to run the equipment and active systems in the building. Because of the significant use of equipment and technology, the room will quickly heat up, resulting in increased cooling loads addressed by passive design strategies and mechanical ventilation or HVAC to maintain the thermal atmosphere. When such passive and active design strategies are used, the building’s cooling demands will be reduced. In hot and dry climates, when the outside temperature is relatively high, the building envelope plays a key function in maintaining heat absorption and storage during the day, ensuring that the inside environment is not compromised. The demand for energy may continue to rise in the future; thus, buildings must be designed to be responsive to future demands. As a result, mixed-mode buildings offer a high potential for energy efficiency while also having a lower negative impact on the environment and community.
The environmental control area of passive design techniques includes the light environment, air environment, and thermal environment
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Transformative Design of Workspaces – A vision for redesigning working spaces for bangle makers in Firozabad’s chudiyan cluster
Author: Sahil Singh
Site Location: Firozabad, Uttar Pradesh
Institute: DY Patil School of Architecture
Advisor: Prof. Anita Shyam
description
Bangles occupy a profound cultural resonance within Indian society, embodying beauty and tradition of women. Firozabad, famously dubbed as the “City of Bangles,” has served as the epicenter of bangle craftsmanship for centuries. Skilled artisans meticulously create these delicate treasures, sustaining an ancient tradition that harmonizes the rich tapestry of Indian culture. The city lies in the district headquarters of Uttar Pradesh, located 40 kilometers from Agra. The city has a monopoly in glass production and produces 70% of the total glass produced in India.
The city’s majority of the population relies on glass and bangle making as their primary livelihood but the workers endure perilous conditions in the glass industries. The production processes for bangle making necessitate exposure to toxic gasses, smoke, and intense heat, creating a hazardous environment that endangers their health. This not only jeopardizes the well-being of the workers but also impacts the wider community and the environment of Firozabad. A significant factor contributing to these dangers is the city’s current architectural practices, particularly in housing and factory design. The inadequate planning of living and working spaces, along with the poor segregation of industrial zones, underscores a critical need for intervention. The project encompasses a diverse and contrasting urban fabric, integrating industries, housing, and markets as the core elements. While these three components are interconnected by a common thread—bangle making—they serve distinct architectural functions.
The thesis seeks to re-imagine the working environments of the Firozabad bangle-making community, addressing both their livelihood needs and the spaces in which they work, including factories and housing. End goal is the creation of a self-sustaining neighborhood comprising of housing and factory development which create a huge environmental as well as user-centric comfort at all stages. The research delves into the various factors impacting the lives of workers in Firozabad’s glass bangle industry, examining the challenges they face and the social dynamics between different stakeholder groups.
drawings
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Praana : Centre for Advancement in organ transplantation, Kozhikode
Author: Shahana Farhathmc
Site Location: Chevayur, Kozhikode, Kerala
Institute: Devaki Amma’s Guruvayurappan College of Architecture
Advisor: Ar. Ajay K Jacob
description
This thesis project envisions the Centre for Advancement of Organ Transplantation
(CAOT) in Chevayur, Kozhikode, Kerala, as a fusion of advanced medical technology
and empathetic healthcare, addressing the complex challenges of organ
transplantation through a sophisticated, patient-centric architectural approach.
The design prioritizes patient well-being by incorporating abundant natural light,
strategic ventilation, and therapeutic healing gardens, crafting an environment that
promotes serenity and reduces psychological stress. Public engagement is facilitated
through a purpose-built open-air amphitheatre, serving as a civic nucleus for
education and discourse, demystifying organ transplantation within the community.
The architectural language is characterized by a dynamic interplay of staggered
terraced volumes and meticulously designed courtyards, fostering seamless
integration between indoor and outdoor spaces and enhancing spatial fluidity and
openness central to the design ethos. Materiality is carefully curated, with a refined
palette of brick, timber, and glass, imparting a warm, tactile quality that contrasts with
the clinical precision of the medical facilities.
This design narrative underscores the facility’s commitment to medical excellence
while weaving a rich tapestry of compassionate care, addressing the emotional,
ethical, and psychological dimensions of organ donation and transplantation in an
architecturally profound manner.
drawings
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Indian Architectural Museum
Author: Jagan V
Site Location: Lado Sarai, Delhi
Institute: School of Architecture, Vellore Institute of Technology
Advisor: Dr. Sharmila Jagadisan
description
The project intervenes to bring an architectural museum which tributes to the rich architectural history and memorial to unrecognized Indian architects. Here is the place which not only exhibits the artifacts, but it also connects the story and ideology behind each architectural styles based on the chronological period from Indus valley civilization to Post Independence period. Typically, a museum is a structure that holds artifacts and knowledge presented in various ways. The Thesis looks to demonstrate architectural museum in such way which is played with Ideal and open spaces which is different from other. Climate plays a crucial role in museum if it has more open space compared to enclosed space. The responsibilities of museums encompass more than just the preservation and display of artifacts and informational items; they also involve the offering of learning opportunities. As we observed, technological innovation is not new to museums when it comes to exhibitions; multidimensional interactive displays in museum spaces have an existence that goes back around a year. This museum is designed in such a way with the combination of enclosed space and open space.
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Eco – Interactive Nexus
Author: Ayush Pathrabe
Site Location: Mihan, Nagpur, Telhara, Maharashtra
Institute: School of Planning and Architecture, New Delhi
Advisor: Dr. Mandeep Singh, Mr. Harsh Thapar
description
The thesis embarks on the innovative journey of designing a fully sustainable IT park, focusing on the symbiotic relationship between cutting-edge technology and sustainability. It leverages a unique opportunity presented by a lake within the site, underscoring the importance of ecological preservation through a buffer zone. This safeguarding measure not only protects the lake’s biodiversity but also maintains its role as an ecological haven and birdwatching sanctuary, showcasing the project’s commitment to environmental stewardship.
Central to the thesis is the exploration of sustainable architectural practices that encompass green building standards, renewable energy solutions, and water conservation techniques. By integrating modular construction methods, the project aims to achieve structural flexibility and scalability, reducing the ecological footprint and promoting efficient resource use. The development’s design prioritizes the creation of engaging public spaces that encourage community interaction and enhance employee well-being, reflecting a holistic approach to workplace and urban design.
Moreover, the thesis delves into office spatial planning that fosters productivity while connecting employees with nature, incorporating biophilic design principles to create a healthy and stimulating work environment. The preservation and enhancement of the lake’s biodiversity emerge as a paramount goal, with strategic interventions designed to enrich the site’s ecological value and engage the IT park community with its natural surroundings.
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The Imprint Of Brutalism in India
Author: Abhinit Pradip Bhoyar
Site Location: Ahmedabad, Gujarat
Institute: Rizvi College of Architecture
Advisor: Ar. Vrinda Gokhale
description
Brutalism, a style of architecture that emerged in the 1950s post-World War II, gained prominence primarily in Europe as a modern and innovative response to the economic crises many nations faced. Initially celebrated for its stark, honest use of materials and its potential to provide affordable, functional buildings, Brutalism eventually fell out of favor by the 1980s. The weathering of its exposed concrete surfaces often led to perceptions of the style as harsh and unappealing.
In India, the Brutalist movement found expression mainly in Ahmedabad, Chandigarh, and Delhi, with a limited presence in cities like Kanpur, Mehsana, and Bangalore. This research aims to explore the advent of Modernist architecture in India through the lens of Brutalism and its impact on society. Through comprehensive on-site case studies of Modernist buildings in Ahmedabad, Delhi, and Chandigarh, the study delves into how Brutalist architecture interacted with and influenced the urban landscape and the people who inhabit it.
The research also seeks to develop a multidisciplinary platform for architectural discourse, envisioning a space where discussions can be held on various architectural topics, from emerging trends to societal challenges that could be addressed through design. Initially, the Premabai Hall was considered a starting point for this project. However, due to spatial constraints on the plot and the requirement for a minimum built-up area of 4,500 square meters, the possibility of conserving the hall was explored but ultimately deemed unfeasible.
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Community – Education – Engagement
Author: Ayaan Imdad
Site Location: Valmiki Nagar, Bihar
Institute: Dayananda Sagar College Of Architecture
Advisor: Ar. Tawhid Kham
description
In response to the need for vocational education in India following the new education policy, the architectural thesis envisions a transformative school that not only imparts vocational skills but serves as a vibrant social hub. This echoes the concept of a “School as Community Center” linking education, skill development, and social interaction. The National Curriculum Framework for School Education 2023 provides insights into curricular goals aligned with this vision. The aim is to explore design of sustainable and inclusive learning centers that can become vibrant social hub with focus on vocational education to respond to transforming educational landscape and support development of rural and backward communities. The thesis proposes the infrastructural weaving of “community – education – engagement” by designing a vocational school. It seeks to understand and implement design techniques facilitate community education and promote community engagement through the construction and function of the building.
With the release of National Education Policy 2020 and under the New Curriculum Framework, the Bihar government has approved the construction of 43 new vocational schools that will be open to the public, and its courses will depend on socio socio-economic structure of the local community. These 43 new schools were approved in the year 2021-22 as per a report submitted to the Rajya Sabha.
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Chalanachitran – A Bioclimatic Film Institute
Author: Haindhavi Paruchuri
Site Location: Shamshabad, Hyderabad
Institute: Gitam (Deemed to be University)
Advisor: Sneha S. Reddy
description
The Bioclimatic Film Institute is a pioneering hub where filmmaking
harmonizes with environmental sustainability. Designed with advanced
bioclimatic strategies, this institute embodies a commitment to eco-friendly
practices while providing a state-of-the-art space for creative expression. The
building features passive solar design, natural ventilation, ensuring energy
efficiency and a minimal carbon footprint. Inside, filmmakers have access to
cutting-edge, low-energy equipment and sustainable materials. Our
classrooms, studios, and screening rooms are designed to maximize natural
light and reduce energy consumption, creating a healthy, inspiring
environment for both students and professionals. The institute also offers
educational programs and workshops focused on integrating sustainability
into film production. By blending artistic innovation with ecological
responsibility, the Bioclimatic Film Institute sets a new standard for how
creative spaces can contribute to a greener future.
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Navchetna Kendra
Author: Kartik Kohade
Site Location: Nagpur, Maharashtra
Institute: Poornima University
Advisor: Ar. Sumeet Rai
description
This thesis delves into the architectural design of “Navchetna Kendra,” a pioneering
rehabilitation center tailored for individuals grappling with Post-Traumatic Stress Disorder
(PTSD). The increasing prevalence of PTSD underscores the critical need for environments
that not only provide medical and psychological support but also foster an atmosphere
conducive to healing. Navchetna Kendra aims to meet this need by integrating
innovative architectural strategies that emphasize tranquility, safety, and sensory comfort.
The design leverages principles of biophilic design, which connects occupants with nature
to enhance psychological well-being, alongside principles of sensory modulation to
address specific PTSD symptoms such as hypervigilance and anxiety. Key features include
therapeutic landscapes, private and communal spaces carefully designed to balance
solitude and social interaction, and adaptive environments that respond to the evolving
needs of patients. Through a detailed exploration of spatial layouts, materiality, and
environmental control, this thesis investigates how architectural design can significantly
impact the recovery process, providing insights into creating environments that not only
support clinical interventions but also facilitate holistic healing and resilience.
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“Towards a Sustainable Built Environment: Aligning G20 and UN 2030 Goals”
Author: Akshath Reddy
Site Location: Hyderabad, Telengana
Institute: Acharya’s NRV School of Architecture
Advisor: Ar. Malavika Jayachandran
description
This project embarks on a transformative journey to redefine sustainability within the
architectural realm, aligning with global initiatives such as the G20 and UN 2030 Goals.
Focusing on an Aerospace Research and Development Center, the project probes the
critical question: how can architects integrate sustainable practices into real-world
designs to mitigate environmental impacts?
Recognizing the construction industry’s contribution to 30-40% of global waste, this
project aims to create a carbon-neutral building, reducing pollution from design to
demolition. By positioning architecture as a catalyst for change, it sets a precedent for
minimizing the environmental footprint of the built environment.
The design incorporates both active and passive strategies, including optimal plan
depth ratios, relative compactness, and precise building orientation. A rigorous,
data-driven approach, supported by simulations such as CFD, energy, and shadow
analysis, ensures that every decision is informed by research from leading global
institutions.
Key technologies-Energy Simulation, Circular Economy principles, and Digital Twin
Technology-underscore the project’s innovative approach. This initiative exemplifies the
architect’s role in crafting spaces that not only adapt to but also positively influence their
climate and context, paving the way for a more sustainable future.
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E -Waste Park
Author: Jitish Jain
Site Location: Delhi
Institute: College of Architecture – SVIT
Advisor: Prof. Sailesh Nair
description
E-waste poses a significant environmental challenge due to its non-biodegradable, toxic nature and widespread presence in ecosystems, impacting soil, air, water, and organisms. Electronic products also contribute to climate change. Manufacturing devices results in a carbon footprint, highlighting the need for eco-friendly processes and sustainable product lifecycles.
E-waste management involves proper disposal and handling of discarded electronics like phones, computers, and TVs. This includes collection, transportation, recycling, refurbishment, and environmentally conscious disposal.
In Delhi, adopting sustainable e-waste management yields advantages, such as enhancing the microclimate, reducing pollution, mitigating soil degradation, and potentially raising Yamuna River’s water level, affected by improper disposal. This approach benefits broader ecosystems and marine life. It emphasizes the intricate link between human activities, the environment, and species welfare.
The architectural intervention addresses e-waste management while providing experiential learning within a sustainable framework for local betterment. This multifaceted approach requires thoughtful design.
Architecturally, the intervention integrates e-waste collection, sorting, and recycling into urban spaces, serving as educational hubs. Interactive displays, workshops, and exhibitions offer insights into e-waste impacts and sustainability. This intervention blends functionality and sustainability by managing e-waste and offering educational and communal spaces, fostering awareness, participation, and positive local impact.
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Dexterity, Tactility – Ameliorate Workhshop for Potters
Author: Anusha V.
Site Location: Puducherry
Institute: C.A.R.E School of Achitecture
Advisor: Ar. Henya Stephi. S
description
The craft based communities in Tamil Nadu are losing its importance as a part of cultural heritage. This automatically becomes the cause for losing the art in few years. Hence by designing a catalyst of built form in the urban context will help to upfront the bridging of Rural into the Urban and can be a plane of medium where they can meet. Thus the built form can have the role of establishing the importance of these beautiful crafts that has been a skill gifted from generations to another generation which is something that cannot be replicated aswell into the fast pace urban livelihood.
After inquiring with the local artisans, one thing that came repeated was that they dont have enough space to build or keep a fire place or kilns to make their products because of this they are forced to outreach to very remote villages and get the products and resell them back in the urban neighbourhood. Even though they are skilled potters, the lack of space and right materials and source force them to become sellers instead of the creators.
Understanding the Spatial needs of certain crafts and its importance of material knowledge and trying to input the importance of dexterity into built form which can become an easier medium in a fast paced urban context to acknowledge it. Hence uplifting the community engagement between two different planes.
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