From Mortal to Eternal: Spatializing the Ghat as a Ritual and Reflective Space

Author: Ananya V
Site Location: Srirangapatna, Karnataka
Institute: School of Planning and Architecture, Mysore
Advisor: Ar. Srikanth K.S

Description

This thesis reimagines the sacred riverfront of Paschimavahini, one of the rare west-flowing stretches of the Kaveri. The site is historically significant as a traditional pilgrimage destination and a place where families perform post-death rituals and rites of passage connected to the cycle of life, death, and memory. It proposes an inclusive, multi-level ritual landscape that honors Hindu non-cremation death rituals such as shraddha, tarpana, pinda pradana, and asti visarjane. The project highlights the quieter yet important practices of remembrance, offering, and connection to ancestors.
The design presents the riverfront as a living ritual spine. It is not just a place for tourism or urban renewal but a sacred ecology where death, memory, and nature are intertwined. The architecture explores multi-level ritual experiences, from horizontal ghats to vertical structures like treehouse-inspired pavilions. These features symbolize the layered journey of the soul while engaging with the river’s edge, water, and vegetation in a sacred way.
In light of Paschimavahini’s cultural and spiritual significance, the proposal ensures the dignity of both human departure and natural cycles. The design emphasizes spatial fairness and inclusivity, providing equal access and respectful spaces for marginalized groups such as widows, poor families, and the elderly, who are often left out of death-related practices. Ultimately, this thesis reweaves death, nature, and memory into a sacred space. Here, ritual architecture goes beyond mere functionality to reflect tradition, ecology, and the dignity of departure.

Drawings

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Susegad: A Centre for Island Living – Revitalize Economy and Culture through Architecture in Goa

Author: Shreeya Kamath
Site Location: Divar Island, Goa
Institute: BMS College of Architecture
Advisor: Dr. Leena Thombre

Description

This thesis proposes a community–visitor center on Divar Island (Site Location Pin: 15.53439611522159, 73.90173249052955) as a shared platform where locals and tourists come together, designed to nurture cultural exchange while protecting both heritage and ecology. The intent is not only to provide facilities but also to create an environment that celebrates coexistence. For locals, the spaces generate income, revive agriculture, and sustain artisanal practices that risk being lost. For visitors, they provide opportunities for authentic experiences—ones that are mindful, meaningful, and deeply rooted in the island’s identity. Material limitations are embraced as strengths, with locally available resources guiding construction and demonstrating the wisdom of vernacular methods. The architecture resists spectacle and excess, relying instead on its rhythm of blocks, courtyards, and pathways that weave built and unbuilt spaces together. These interstitial areas foster interaction, community gatherings, and a constant dialogue with the landscape. The design ensures that the built does not overwhelm the natural; instead, it frames it. In this way, the architecture blends modestly into Divar’s timeless setting, appearing grounded, enduring, and inseparable from its place.

Drawings

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Where Nature takes its [Race] Course

Author: Batul Lokhandwala
Site Location: Mumbai, Maharashtra
Institute: Rizvi College of Architecture
Advisor: Minaz Ansari

Description

Urbanisation inherently excludes the natural components that make up the city and focuses overwhelmingly on the built environment, hence distorting the perception of the environment and disconnecting its citizens from the ecosystem. Mumbai exemplifies this characteristic of cities in terms of not only the scarcity of natural areas but also in terms of what the city classifies as natural areas, a limitation of definition rather than a limitation of availability.
As cities develop, our planning needs to accommodate a cohesive environment for its natural landscape and existing biodiversity. Further it attempts to offer a more holistic design approach. An approach that reconciles the inherent disconnect by ensuring that development acknowledges and respects nature. While demand for land in the city increases, the open spaces grow vulnerable to further destruction. The need for development will forever persist but it should also foster the need to design natural pockets within the dense metropolis.
The Mahalaxmi Racecourse offers a unique opportunity to create a large urban forest within the Island city.
THE REGULATION CURRENTLY FOCUSES ON GENERATING MORE REVENUE THROUGH INCREASING FSI RATHER THAN CREATING BETTER QUALITY OF LIFE BY INCREASING OSI.

Drawings

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Pravah : Harmonizing Water, Culture, and Environment

Author: Anish Shinde
Site Location: Poladpur, Maharashtra
Institute: Aditya College of Architecture
Advisor: Rita Nayak

Description

This thesis examines the vital relationship between water, human culture, and ecosystems, highlighting how water influences the identity, livelihood, and rituals of rural communities. Set in Poladpur, Maharashtra, a region with high rainfall yet chronic water scarcity, the project addresses the ecological and infrastructural failures behind this paradox.
In response, it proposes a multifunctional rural node that combines water infrastructure, rainwater harvesting, groundwater recharge, and runoff management with community-focused spaces for gathering, health, agriculture, and learning. Drawing from traditional systems like johads, kunds, and stepwells, the design blends indigenous knowledge with sustainable practices.
Rooted in field research and local engagement, the project also tackles outmigration, declining traditions, and the loss of communal spaces linked to water insecurity. Reimagining water as both a sacred resource and social connector, the design seeks to restore ecological balance, cultural pride, and community cohesion.
Crucially, the intervention creates a space for all villagers, wildlife, livestock, aquatic life, birds, and visitors, fostering a shared environment where water becomes the central unifying force, nurturing coexistence, biodiversity, and an inclusive rural future.

Drawings

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Land.Water.Life: Majuli’s Symphony of Survival

Author: Abhay Rajesh
Site Location: Majuli Island, Assam
Institute: Avani Institute of Design
Advisor: Ar. Thushara K

description

In response to the annual floods and relentless soil erosion on Majuli Island, this architectural thesis explores how spatial adaptation can enhance resilience and improve the inhabitants’ lives. The “Land Water Life – Majuli’s Symphony of Survival” project focuses on creating multifunctional community spaces that dynamically respond to the island’s ever-changing landscape. The design investigates architectural strategies that facilitate living during and after floods, aiming to extend the functionality and safety of the spaces on the island.

The project delves into the intricate relationship between land, water, and community, highlighting the resilient negotiations the people of Majuli undertake to coexist with their environment. By reimagining traditional Satra spaces and integrating essential healthcare facilities, the project preserves cultural identity while improving access to critical services. This holistic approach underscores the interconnectedness of cultural preservation, environmental resilience, and community well-being.

The thesis emphasizes creating structures that not only adapt to the island’s flooding but also support the community’s socio-cultural revival. Through innovative design strategies, the project aims to serve as a beacon of resilience and empowerment, ensuring that Majuli’s way of life can endure and thrive despite the challenges posed by floods.

drawings

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Pravas – Redesigning of an existing crematorium

Author: Shrinivas Tele
Site Location: Nashik
Institute: CTES College of Architecture
Advisor: Prof. Gayatri Narkar

description

The redesign of the crematorium in Nashik is a thoughtful fusion of tradition, sustainability, and climate responsive architecture. Rooted in the principle of “form follows climate,” the design is shaped by Nashik’s hot, semi-arid environment, ensuring that the structure is both functional and harmonious with its surroundings. The crematorium, located near the sacred ghats of the Godavari River, honours centuries old rituals while incorporating modern amenities that address the needs of a growing and evolving city.

The building’s orientation and materials are carefully selected to mitigate the harsh summer heat, utilizing natural ventilation and shading to maintain a comfortable environment for mourners year round. Locally sourced materials, such as stone, brick and wood, helps to reduce the carbon footprint.

Landscape design plays a crucial role in enhancing the emotional experience, with indigenous plants and water features creating a serene atmosphere for reflection and remembrance. The crematorium’s design respects the flow of traditional rituals, guiding mourners through a dignified, contemplative space that blends seamlessly with the spiritual landscape of the ghats. This project exemplifies how modern architecture can uphold cultural significance while adapting to contemporary environmental and societal challenges.

drawings

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Does a city need a Backyard? Case of Brahmapuram

Author: Mariya Joy
Site Location: Ernakulam, Kerala
Institute: TKM College of Engineering Kollam
Advisor: Prof. Surya P.S.

description

The Brahmapuram dumpsite, situated in Kakkanad, Kochi, Kerala, has become infamous for its frequent fires and severe pollution, which adversely affect the environment within a 2 km radius. This area was once a natural wetland along the Kadambrayar River, but government intervention converted it into a waste treatment plant and later a landfill, leading to substantial ecological damage. Despite being surrounded by flourishing urban developments, including Kochi’s IT hub and various educational institutions, the dumpsite remains an eyesore and a significant health hazard. This project aims to rejuvenate the area, transforming it into a dynamic urban space that aligns with the region’s growth aspirations while addressing environmental concerns. By restoring the site’s natural beauty and ecological balance, the initiative seeks to create a valuable community asset, enhancing the quality of life for residents. The plan not only aims to eliminate the environmental hazards associated with the dumpsite but also to integrate the revitalized space into the broader urban landscape, reflecting the region’s commitment to sustainable development and improved living conditions for all who live nearby.

drawings

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Cultural Odyssey: Exploring Theyyam, Kannur, Kerala

Author: Ankita Vinod
Site Location: Kannur, Kerala
Institute: IES College of Architecture
Advisor: Ar. Vineetha P.S.

description

The Theyyam Interpretation Centre in Kannur is dedicated to uplifting the Theyyam
community and enriching enthusiasts’ understanding of this cultural art form, deeply
rooted in Northern Kerala’s heritage. The Centre aims to deepen appreciation for Theyyam,
as an artistic expression and a vital conservator of tradition and spirituality.

A key focus of the Centre is the preservation of sacred groves, integral to Theyyam
traditions. These natural sanctuaries are essential for maintaining the region’s biodiversity
and spiritual heritage. The design incorporates central landscaped areas, grove enclaves,
and corridors that seamlessly transition between indoor and outdoor spaces, all
thoughtfully integrated with the local climate and the Kerala traditional architecture.

The Centre uses locally sourced materials and climate-responsive design elements to
ensure comfort and sustainability. Multifunctional spaces, courtyards, and groves are
designed to foster community interaction, providing open, flexible areas for knowledge
exchange and connection.

By blending traditional architecture with climate-conscious design, the Centre preserves
cultural heritage and embodies the harmony between man, nature, and the built
environment, standing as a beacon of cultural preservation and environmental
conservation.

drawings

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Praana : Centre for Advancement in organ transplantation, Kozhikode

Author: Shahana Farhathmc
Site Location: Chevayur, Kozhikode, Kerala
Institute: Devaki Amma’s Guruvayurappan College of Architecture
Advisor: Ar. Ajay K Jacob

description

This thesis project envisions the Centre for Advancement of Organ Transplantation
(CAOT) in Chevayur, Kozhikode, Kerala, as a fusion of advanced medical technology
and empathetic healthcare, addressing the complex challenges of organ
transplantation through a sophisticated, patient-centric architectural approach.

The design prioritizes patient well-being by incorporating abundant natural light,
strategic ventilation, and therapeutic healing gardens, crafting an environment that
promotes serenity and reduces psychological stress. Public engagement is facilitated
through a purpose-built open-air amphitheatre, serving as a civic nucleus for
education and discourse, demystifying organ transplantation within the community.

The architectural language is characterized by a dynamic interplay of staggered
terraced volumes and meticulously designed courtyards, fostering seamless
integration between indoor and outdoor spaces and enhancing spatial fluidity and
openness central to the design ethos. Materiality is carefully curated, with a refined
palette of brick, timber, and glass, imparting a warm, tactile quality that contrasts with
the clinical precision of the medical facilities.

This design narrative underscores the facility’s commitment to medical excellence
while weaving a rich tapestry of compassionate care, addressing the emotional,
ethical, and psychological dimensions of organ donation and transplantation in an
architecturally profound manner.

drawings

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Chalanachitran – A Bioclimatic Film Institute

Author: Haindhavi Paruchuri
Site Location: Shamshabad, Hyderabad
Institute: Gitam (Deemed to be University)
Advisor: Sneha S. Reddy

description

The Bioclimatic Film Institute is a pioneering hub where filmmaking
harmonizes with environmental sustainability. Designed with advanced
bioclimatic strategies, this institute embodies a commitment to eco-friendly
practices while providing a state-of-the-art space for creative expression. The
building features passive solar design, natural ventilation, ensuring energy
efficiency and a minimal carbon footprint. Inside, filmmakers have access to
cutting-edge, low-energy equipment and sustainable materials. Our
classrooms, studios, and screening rooms are designed to maximize natural
light and reduce energy consumption, creating a healthy, inspiring
environment for both students and professionals. The institute also offers
educational programs and workshops focused on integrating sustainability
into film production. By blending artistic innovation with ecological
responsibility, the Bioclimatic Film Institute sets a new standard for how
creative spaces can contribute to a greener future.

drawings

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Navchetna Kendra

Author: Kartik Kohade
Site Location: Nagpur, Maharashtra
Institute: Poornima University
Advisor: Ar. Sumeet Rai

description

This thesis delves into the architectural design of “Navchetna Kendra,” a pioneering
rehabilitation center tailored for individuals grappling with Post-Traumatic Stress Disorder
(PTSD). The increasing prevalence of PTSD underscores the critical need for environments
that not only provide medical and psychological support but also foster an atmosphere
conducive to healing. Navchetna Kendra aims to meet this need by integrating
innovative architectural strategies that emphasize tranquility, safety, and sensory comfort.
The design leverages principles of biophilic design, which connects occupants with nature
to enhance psychological well-being, alongside principles of sensory modulation to
address specific PTSD symptoms such as hypervigilance and anxiety. Key features include
therapeutic landscapes, private and communal spaces carefully designed to balance
solitude and social interaction, and adaptive environments that respond to the evolving
needs of patients. Through a detailed exploration of spatial layouts, materiality, and
environmental control, this thesis investigates how architectural design can significantly
impact the recovery process, providing insights into creating environments that not only
support clinical interventions but also facilitate holistic healing and resilience.

drawings

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“Towards a Sustainable Built Environment: Aligning G20 and UN 2030 Goals”

Author: Akshath Reddy
Site Location: Hyderabad, Telengana
Institute: Acharya’s NRV School of Architecture
Advisor: Ar. Malavika Jayachandran

description

This project embarks on a transformative journey to redefine sustainability within the
architectural realm, aligning with global initiatives such as the G20 and UN 2030 Goals.
Focusing on an Aerospace Research and Development Center, the project probes the
critical question: how can architects integrate sustainable practices into real-world
designs to mitigate environmental impacts?
Recognizing the construction industry’s contribution to 30-40% of global waste, this
project aims to create a carbon-neutral building, reducing pollution from design to
demolition. By positioning architecture as a catalyst for change, it sets a precedent for
minimizing the environmental footprint of the built environment.
The design incorporates both active and passive strategies, including optimal plan
depth ratios, relative compactness, and precise building orientation. A rigorous,
data-driven approach, supported by simulations such as CFD, energy, and shadow
analysis, ensures that every decision is informed by research from leading global
institutions.
Key technologies-Energy Simulation, Circular Economy principles, and Digital Twin
Technology-underscore the project’s innovative approach. This initiative exemplifies the
architect’s role in crafting spaces that not only adapt to but also positively influence their
climate and context, paving the way for a more sustainable future.

drawings

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E -Waste Park

Author: Jitish Jain
Site Location: Delhi
Institute: College of Architecture – SVIT
Advisor: Prof. Sailesh Nair

description

E-waste poses a significant environmental challenge due to its non-biodegradable, toxic nature and widespread presence in ecosystems, impacting soil, air, water, and organisms. Electronic products also contribute to climate change. Manufacturing devices results in a carbon footprint, highlighting the need for eco-friendly processes and sustainable product lifecycles.
E-waste management involves proper disposal and handling of discarded electronics like phones, computers, and TVs. This includes collection, transportation, recycling, refurbishment, and environmentally conscious disposal.
In Delhi, adopting sustainable e-waste management yields advantages, such as enhancing the microclimate, reducing pollution, mitigating soil degradation, and potentially raising Yamuna River’s water level, affected by improper disposal. This approach benefits broader ecosystems and marine life. It emphasizes the intricate link between human activities, the environment, and species welfare.
The architectural intervention addresses e-waste management while providing experiential learning within a sustainable framework for local betterment. This multifaceted approach requires thoughtful design.
Architecturally, the intervention integrates e-waste collection, sorting, and recycling into urban spaces, serving as educational hubs. Interactive displays, workshops, and exhibitions offer insights into e-waste impacts and sustainability. This intervention blends functionality and sustainability by managing e-waste and offering educational and communal spaces, fostering awareness, participation, and positive local impact.

drawings

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Dexterity, Tactility – Ameliorate Workhshop for Potters

Author: Anusha V.
Site Location: Puducherry
Institute: C.A.R.E School of Achitecture
Advisor: Ar. Henya Stephi. S

description

The craft based communities in Tamil Nadu are losing its importance as a part of cultural heritage. This automatically becomes the cause for losing the art in few years. Hence by designing a catalyst of built form in the urban context will help to upfront the bridging of Rural into the Urban and can be a plane of medium where they can meet. Thus the built form can have the role of establishing the importance of these beautiful crafts that has been a skill gifted from generations to another generation which is something that cannot be replicated aswell into the fast pace urban livelihood.
After inquiring with the local artisans, one thing that came repeated was that they dont have enough space to build or keep a fire place or kilns to make their products because of this they are forced to outreach to very remote villages and get the products and resell them back in the urban neighbourhood. Even though they are skilled potters, the lack of space and right materials and source force them to become sellers instead of the creators.
Understanding the Spatial needs of certain crafts and its importance of material knowledge and trying to input the importance of dexterity into built form which can become an easier medium in a fast paced urban context to acknowledge it. Hence uplifting the community engagement between two different planes.

drawings

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Architecture for a Culture – A Case of Bonda Tribe

Author: Sugyani Sahu
Site Location: Majhiguda, Odisha
Institute: Faculty of Architecture – Sri Sri University
Advisor: Ar. Rishab Ray

description

Introducing the Eco Tribal Village, an architectural thesis project that embraces vernacular, sustainability, and climate-responsible designs. This project is centered around the Bonda tribe, as they are the heart and soul of the endeavor. By meticulously considering their needs and preserving their rich heritage, we aim to create a harmonious space for both the tribe and tourists The design seeks to foster cultural exchange by providing designated areas for tourists to engage with the Bonda tribe, promoting understanding and appreciation.
By creating community areas for traditional activities and crafts, tourists can engage with the Bonda tribe and gain a deeper understanding of their way of life. Emphasizing responsible tourism practices, such as waste management and ecological conservation, will further contribute to the long-term preservation of the region’s natural beauty.
Through this project, the hope is to create a sustainable and inclusive community that respects the environment and preserves the cultural identity of the Bonda tribe. Hence, by building a vibrant and eco-friendly haven that honours tradition while embracing the future.

drawings

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Centre for Culture, Thrissur

Author: Neeraj Rajeev
Site Location: Thrissur, Kerala
Institute: Nitte School Of Architecture Planning and Design
Advisor: Prof. Malini C.H.

description

The Center for Culture is an attempt at making a singular destination for anyone practicing or interested in the cultural arts. The project aims to service artist, performers, tourists and enthusiasts. This is achieved through an array for inter related exhibition, performance and learning spaces incorporating the local climatic considerations.
The final design takes inspiration from studies performed as well as the local architecture of Thrissur. The design provides spaces that cater to various stakeholders through Museum, Workshops, Private studios and Artist’s private spaces, indoor and outdoor performance spaces, markets, restaurant, café and outdoor areas while satisfying necessary services required by each individual functional space. The structure incorporates multiple climate control aspects to keep the building cool due to Kerala’s hot and humid climate. The structure incorporates jaalis into its facade to allow for seamless air movement. Jaalis have been placed on two parallel faces of the building to allow cross ventilation. The clay tile roof is placed on a steel frame that acts as ventilation system. The framework allows for warm air to escape as well as allows cross ventilation. The framework is dotted with a shutter system that can be controlled based on need.

drawings

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Reimagining the Urban – A Bird’s Eye Perspective

Author: Anushri Joshi
Site Location: Mumbai
Institute: Kamla Raheja Vidyanidhi Institute of Architecture
Advisor: Ar. George Jacob

description

Over the years, the concept of climate has developed broader connotations with global phenomena like climate change and crisis becoming topical issues of the Anthropocene. The idea of deriving comfort by designing a singular structure is becoming a myopic activity as it can no longer be viewed in isolation and is an entity that gets affected by and is a part of larger systems, forms and dependencies.
The idea of creating a comfortable space thus needs to negotiate larger thresholds while also stepping beyond the frame of the ‘human’.
The thesis chooses to focus on a dense urban swatch in Mumbai – the Dadar kabutarkhana area- as a template for demonstration of how the architectural form can start responding to the local and global climatic forces in conjunction with the economic, socio-cultural forces to sustain and forge relationships and create livable environments. The significance of biodiversity as a tool for climate resilience has been well-established and is thus, the main focus here. The building is imagined as a template for the neighbourhood that triggers morphing of the form of the city to respond to the topical issues broached by climate, thus enhancing overall livability and rendering the interpretation of the idea of ‘form follows climate’ extremely relevant for the current times.

drawings

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Architectural Response to Resilient Landscape

Author: Ritik Jain
Site Location: Chennai
Institute: IES College of Architecture
Advisor: Prof. Prachi Nandkarni

description

The design proposal for the Foreshore Estate, Chennai residential neighbourhood showcases a sophisticated and thoughtful urban development approach. Rooted in the site’s natural topography, the concept elegantly integrates surface runoff considerations, exemplifying a strong grasp of sustainable design principles within the contextual framework. At its core, the design revolves around four pivotal landscape principles: delay, store, protect, and recharge. This strategic focus on water management and flood resilience underscores a commitment to both environmental and practical concerns. The innovative clustering strategy, based around sunken courtyards and communal spaces, not only cultivates a profound sense of community but also ingeniously transforms into water storage facilities during flood occurrences. Shared landscape spaces take precedence over private gardens, fostering an inclusive and vibrant communal atmosphere. The arrangement of landscape clusters interwoven with diverse amenities like urban farms, sports facilities, and age-tailored
play areas mirrors a comprehensive approach catering to a wide range of resident needs.
Remarkably, the housing typology explores low-rise, high-density living, manifesting as five-level residences with a mix of private gardens, patios, and terraces. This architectural diversity enriches the visual landscape while providing residents with multifaceted outdoor spaces for leisure and social interaction.
The integration of landscape and architectural strategies attests to a meticulous design ethos, as evidenced by the intricate consideration of site setbacks and spatial relationships. In summation, the proposal exudes a professional demeanour, seamlessly aligning with contemporary urban design paradigms. Through its holistic melding of site-specific attributes, sustainability imperatives, and community oriented features, it lays a robust foundation for an all-encompassing, dynamic, and resilient residential enclave.

drawings

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Mangroves Conservation Centre & Eco Park- Panju Island

Author: Maitreyee Samant
Site Location: Panju Island, Mumbai
Institute: VIVA School of Architecture, Virar
Advisor: Ar. Farozan Ansari

description

Mangrove and its Ecosystem
Mangroves are salt-tolerant evergreen forests, found in the intertidal zones of sheltered shores, estuaries, tidal creeks, backwaters, lagoons, marshes and mudflats of the tropical and subtropical latitudes. Mangroves are of great ecological importance and socio-economic significance as a hub for tropical marine biotope.
Aim: To develop a Conservation Centre resonating the ideology of an additional buffer, creating a connection between the mangroves and the people, while protecting the nature and the wildlife around and within the water, also providing various facilities of wetland activities which can make the space connected and enjoyable to the user.
This project arises from the issues of cutting the mangroves for the development, infrastructural, bridges, seaways, etc. So, the need for building such Conservation Centres which is beneficial for the Environment and let people understanding the importance of mangroves within the Ecosystem; with the spaces evolving and exploring the centre with respect to the mangroves activities and their characteristics features which attracts the users for conducting counselling, workshops and seminars, so that they educate the society and their self too.

drawings

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Muquish: An Innovative Hub for Exploration and Preservation of Kutch Textile Craft

Author: Vandana K
Site Location: Bhuj, Gujarat
Institute: School of Architecture, REVA University
Advisor: Ar. Neeraja Jayan

description

Kutch is the Largest district in India, which is well known for it’s rich cultural heritage, diverse communities and fine handicrafts. Inspite of having rich art and culture within the region due to several socio-economical reasons art especially textile art within this region have been on the verge of extinction.

There is a high need of another art resource center within the region because right now there is only one coherent body that works to provide a platform to acknowledge and revive dying art within kutch. So, there’s definitely a need and scope for another resource center within the region.

Muquish is a textile art resource center in Kutch that works up on the initative to preserve and uplift certain dying textile art forms and their art communities in Kutch. It mainly focuses on 4 textile art forms they are – Namda, Rogan art, Ajrakh block printing, Bela printing.

This as an architectural built form bridges the gap between two distinct design communities, they are the craftsmen and the designer. By seamlessly integrating traditional building techniques with modern functionality, the centre not only pays tribute to the rich architectural heritage of the region but also serves as a testament to the harmonious co-existence of human creativity and environmental responsibility.

drawings

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