Rehabilitation Centre for Out of School Children in Hyderabad

Author: Lakshmi Ashok
Site Location: Hyderabad
Institute:Department of Architechture & Planning, College of Engineering
Advisor: Prof. Anusha Vijayan

Description

The thesis aims to explore the role of architecture as a catalyst for addressing the challenges faced by
out-of-school children and creating opportunities for recovery, learning, dignity, and hope, and how
the built environment can actively support healing, development, and social reintegration.
Challenges include trauma, educational exclusion, loss of trust, social stigma, and child labour, while
supporting the transition of children back into education, family, and society.
The design focuses on creating an integrated, child-sensitive and trauma-informed rehabilitation
environment incorporating bridge education, counselling, healthcare, skill development, transitional
residential care, recreation, and community interaction.
The complexity of the project lies in responding to the diverse needs of the children. Children vary in
age, sensitivity levels, learning level, trauma experience, privacy requirements, and degree of
independence. The architecture therefore avoids a rigid institutional model and provides flexibility in
spatial scale, sensory stimulation, degrees of openness, and interaction. Spaces are designed to
remain engaging without becoming overwhelming, allowing children to gradually gain confidence,
autonomy, and a sense of belonging.
The design adapts to the child rather than expecting the child to adapt to the institution. The project
ultimately seeks to demonstrate how architecture can contribute to a larger social impact by
transforming rehabilitation from institutional care into an empowering process of healing, learning,
participation, and reintegration.

Drawings

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Ruth: Imagery as a Catalyst to Evoke Bonding Between Children

Author: Neha Albert
Site Location: Panvel, Maharashtra
Institute: SJB School of Architecture & Planning
Advisor: Ar. Manju Chandrasekharan Nair

Description

The project explores architecture as a catalyst for social bonding among children, investigating how visual imagery can shape the way children perceive, interact with, and engage with their surroundings.
Visual imagery is integrated into the architectural environment through colours, forms, textures, patterns, framed views, and spatial cues, encouraging observation, imitation, curiosity, creativity, and the development of personal narratives.
Architectural elements such as courtyards, gathering spaces, transitional spaces, and visual connections act as mediums that encourage children to observe, meet, play, collaborate, and learn from one another.
The implementation of these spaces aims to overcome physical, sensory, cognitive, and communication barriers, allowing children with varying abilities to connect through shared experiences.
The spaces are universally accessible through ramps, gentle level changes, multiple movement paths, varied spatial scales, quieter pockets, and spaces for both individual and collective engagement, allowing children to participate at their own pace.
The project therefore creates such an inclusive environment that, irrespective of cognitive and physical barriers, the children  unite through playing, exploring, participating, and belonging

Drawings

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Intermodal Station at Tirupathi

Author: Shubhashri. J.P
Site Location: Panvel, Maharashtra
Institute: School of Architecture and Interior Design,
SRM Institute of Science and Technology
Advisor: Dr. K. Geetha

Description

The Intermodal Station at Tirupati is conceived as a contemporary mobility hub that integrates transportation, commerce, hospitality, and public life within a cohesive urban framework. Developed on a 13.27-acre site, the proposal responds to Tirupati’s significant and fluctuating passenger volumes by creating an efficient, legible, and future-ready transit environment.
The project establishes a vertically integrated transportation podium, accommodating bus operations across two levels with passenger amenities, waiting areas, retail, and food facilities. Above the transit podium, dormitories, commercial and entertainment functions, offices, and multiple hotel categories are organized as a layered mixed-use programme. Dedicated access and circulation systems distinguish the movement of different user groups, enhancing operational efficiency, safety, and spatial clarity.
The architectural identity is rooted in movement, connectivity, and biophilic integration. Long-span structural systems create expansive, column-light terminal spaces, while branching, tree-inspired columns translate structural efficiency into a distinctive architectural expression. Strategic slab openings, skylights, and atriums introduce daylight and facilitate natural ventilation, enhancing the quality of the internal public realm.
Green terraces, vertical landscapes, landscaped courts, shaded facades, and rooftop photovoltaic systems extend the “Transit Through Nature” philosophy throughout the development. These strategies contribute to thermal comfort, environmental performance, and a stronger connection between built and natural systems.
The proposal ultimately positions the intermodal station as more than a transportation facility—a civic gateway that integrates mobility, urban activity, and nature to support Tirupati’s evolving identity and future growth.

Drawings

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Live Work Connect- Integrated Co- Living and Co-Working Spaces for Indian Startups at Panvel, Maharashtra

Author: Raghav Garode
Site Location: Panvel, Maharashtra
Institute: Bharati Vidyapeeth College of Architecture
Advisor: Prof. Monika Sharma

Description

My thesis project proposes a Co-Living, Co-Working and Connect Realm Complex designed to respond to the changing lifestyles of students, young professionals, entrepreneurs, freelancers and short-term residents. The project brings together living, working and social spaces within a connected and inclusive environment, reducing the separation between personal, professional and community life.
The co-living component provides comfortable private rooms supported by shared kitchens, lounges, recreational areas and informal interaction spaces. The co-working component includes individual workstations, collaborative areas, meeting rooms and flexible spaces that can accommodate different work patterns and user requirements. At the centre of the project, the connect realm acts as a social interface, encouraging interaction between residents, workers and visitors through courtyards, landscaped areas, multipurpose spaces and shared amenities.
The planning follows a clear hierarchy from public to semi-public, semi-private and private zones, ensuring both community engagement and personal privacy. Universal accessibility, safe circulation, clear wayfinding and gender-sensitive planning make the complex usable by people of different ages, abilities and backgrounds. Passive design strategies such as natural ventilation, daylighting, shaded outdoor spaces, landscape integration and rainwater management improve environmental performance and user comfort.
The project aims to create more than a residential or commercial building. It establishes a flexible community that supports collaboration, affordability, well-being and social connection. Through the integration of living, working and shared experiences, the complex becomes an adaptable model for inclusive and sustainable urban living.

Drawings

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Centre for Environmental Revival and Social Impact

Author: Rakshi Perween
Site Location: Delhi
Institute: Faculty of Planning & Architecture
Poornima University
Advisor: Ar. Preethi Agarwal

Description

Transformation of Okhla Landfill – Centre for Environmental Revival and Social Impact is an architectural thesis that reimagines the Okhla landfill in Delhi as a public welfare landscape for environmental revival, learning, skill development, and community engagement. The project responds to the landfill’s environmental and social impacts by proposing a transition from a polluted urban void into a regenerative public destination. Its core concept, “Nexus,” represents the interconnected relationship between the Museum, Haat Bazaar, and Vocational Training Institute (VTI), bringing knowledge, culture, skills, and community interaction into one cohesive spatial network. The Museum guides visitors through a journey from Earth formation and geological processes to landfill formation, waste impact, segregation, and ultimately land regeneration. The VTI provides hands-on learning and upcycling opportunities, while the Haat Bazaar acts as a social and economic interface where crafted and recycled products can be exhibited and sold. The landscape integrates regenerated land, plantation, kitchen gardens, composting, biogas, water-sensitive systems, and open public spaces. Together, these elements transform waste into knowledge, skills, livelihood, and ecological value.

Drawings

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Narratives of Lost Links: Architectural Interpretations of Memory, Space and Community

Author: Vaibhav Sanghani
Site Location: Bhopal, Madhya Pradesh
Institute: School of Architecture, Anant National University
Advisor: Prof. Sandeep Paul

Description

Narratives of Lost Links explores the transformation of the abandoned Union Carbide factory site in Bhopal into a public landscape of memory, healing, and community engagement. Once the epicentre of the 1984 Bhopal Gas Tragedy, the 70-acre site today exists as an isolated urban void-physically disconnected yet deeply embedded within the surrounding neighbourhoods. Observing how local communities have gradually appropriated its edges despite restricted access, the project seeks to return the land to the people without erasing its painful history.
The proposal preserves the existing industrial remains as witnesses to the past while introducing a museum, memorial, and a network of community follies that reconnect the site with the city. The master plan is structured around three conceptual systems: the Axis of Catastrophe, derived from the MIC plant; the Axis of Witness, extending from the existing memorial; and the Lines of Continuity, generated from the factory’s internal road network. Together, these systems organise movement, memory, and public life across the site. Inspired by Bhopal’s identity as the City of Lakes, water bodies and elevated boardwalks weave through the landscape, allowing nature to regenerate while creating spaces for reflection, learning, and collective resilience.

Drawings

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A Warming Planet: Barcelona 2051

Author: Renardo A
Site Location: Barcelona
Institute: Crescent School of Architecture
B.S. Abdur Rahman Crescent Institute of Science and Technology
Advisor: Ar. Sangeetha

Description

This thesis investigates the future of dense urban living through the lens of speculative design, megastructural theory and modular architecture, applying these frameworks to the city of Barcelona as it confronts the escalating pressures of climate change by mid-century. Drawing on foundational movements in twentieth century architecture  including the Japanese Metabolists, Archigram’s Plug-In City, and the theoretical projects of Yona Friedman and Buckminster Fuller  the research traces the intellectual lineage of large-scale, systems-based urban thinking and asks how relevant these ideas remain today. At the centre of the investigation is Barcelona’s Superblock (Superilla) programme, a pioneering urban intervention that reclaims street space from motor vehicles in favour of pedestrian life, green infrastructure and climate resilience.

The thesis weighs the programme’s well-documented gains  reductions in air pollution, noise and urban heat  against its real and persistent limitations: traffic pushed onto surrounding streets, vulnerability to shifting political winds, and the ever-present risk that rising desirability displaces the lower-income communities the programme was meant to serve. Looking toward 2051, the thesis proposes a second-generation Superblock model that treats climate adaptability not as an add-on but as a core design principle. This means drought-tolerant planting, passive cooling infrastructure, distributed solar energy systems and circular economy programming woven into the fabric of the neighbourhood from the outset.

The thesis concludes with a design proposal: a speculative megastructure complex in Barcelona comprising an entry pavilion, a centre of innovation, a living tower and a co-working block, each element working together to form a coherent, climate-responsive urban district.

Drawings

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Space Matter: Ground for all

Author: Sneha Shyam
Site Location: Mumbai
Institute: Asian School of Architecture and Design Innovations
Advisor: Ar. Asish Kannan Badusha J

Description

The Space matter proposes a child-centric infrastructure system that transforms fragmented, high-density urban environments into connected and inclusive communities. The project responds to a site where high-rise towers, mid-rise housing, LIG and MIG communities, commercial edges, roads, and informal settlements exist in close proximity but remain socially and spatially disconnected.

Rather than treating play, learning, nature, and community spaces as isolated amenities, the proposal weaves them into the everyday urban fabric through a continuous network of Care Ribbons, Sky Loops, Sky Streets, Senscapes, and Community Commons. These connections transform circulation into opportunities for play, exploration, social interaction, and learning.

The elevated network bridges physical barriers created by roads and fragmented development while creating safe, pedestrian-oriented connections between different communities. Multisensory landscapes introduce sand, timber, rope, stone, planting, water, and varied levels, allowing children to engage with materials and nature through touch, movement, and exploration.

Equity is central to the proposal. The infrastructure connects HIG, MIG, LIG, and informal communities, providing shared access to play, learning, nature, and social spaces. A replicable prototype extends these principles into neighboring informal settlements. The project reimagines the city through the perspective of childhood, transforming isolated buildings into an interconnected urban community where play, learning, nature, and belonging become part of everyday life.

Drawings

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Sutra Vinayasa

Author: Israth Kalburgi
Site Location: Belgaum
Institute: Dayananda Sagar College of Architecture
Advisor: Ar. Veena C

Description

1. Revitalizing the Weaving Community

The proposed thesis, Sutra Vinayasa, aims to revive Belgaum’s traditional weaving industry by creating a socio-architectural habitat that integrates housing, workspaces, training facilities, and community spaces. The project strengthens the social, cultural, and economic life of artisans while preserving the city’s weaving heritage.

2. Live–Work Integration

The design follows a live–work concept where residential units and weaving workshops coexist within the same environment. This allows artisans to balance domestic life and production, reduces travel time, improves productivity, and creates a stronger relationship between work and community.

3. Community-Oriented Planning

The settlement is planned around shared courtyards that function as social spaces for interaction, recreation, festivals, and collaborative weaving activities. These courtyards also enhance natural ventilation, daylight, and strengthen community bonding among residents.

4. Flexible and Incremental Housing

Housing units are designed as modular and expandable spaces inspired by Belapur Housing and Aranya Housing. Families can expand their homes vertically or horizontally as their economic conditions and household requirements change over time.

5. Hierarchy of Spaces

The master plan establishes a gradual transition from public spaces such as markets and galleries to semi-public courtyards, semi-private streets, and private residences. This hierarchy creates a balance between community interaction and personal privacy.

6. Contextual Architecture

The project adopts architectural forms and materials that are native to Belgaum, including laterite stone, exposed brick, lime plaster, timber, sloping tiled roofs, verandahs, and arched openings. These elements create buildings that are climatically responsive and culturally rooted for generations.

Drawings

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Rethinking Urban Housing Density – Enhancing Community Integration in Hyderabad’s Housing

Author: Sivani Dirisala
Site Location: Hyderabad, Telangana
Institute: Wadiyar Centre for Architecture
Advisor: Nelson Pais

Description

In contemporary urban environments, particularly in cities like Hyderabad, the adoption of standardized construction technologies, combined with bylaws such as an uncapped FSI, has fueled a surge in high-rise developments dominated by typical 3BHK and 4BHK layouts, regardless of actual demand. While these practices streamline construction and reduce timelines, they have also led to a homogenization of housing—prioritizing profit and maximizing returns. This market-driven approach creates a monopoly over centrally located land, making housing in the city center inaccessible to the working class and other family structures.

This project positions itself as a counterpoint to existing housing models in the city’s core. Instead of vertically repeating a single layout and multiplying it across the site, it introduces varied layouts that respond to diverse family structures. The design takes a different approach where the smallest parts also dictate how the overall project turns out. The relationships between these units are explored to create shared spaces and commonalities across multiple scales, reimagining density as a network of connected communities. The proposal aims for a context-sensitive density model—one that prioritizes livability and long-term community well-being over short-term commercial gain.

Drawings

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Revitalization of Benarasi Karigari

Author: Priyal Patel
Site Location: Vishwanath Gaali, Varanasi
Institute: MIT School of Architecture, Pune
Advisor: Dr. Neeti Tirvedi

Description

The handloom industry of Benaras has served the livelihoods of over 75% of the population, predominantly comprised of Muslim weavers, for more than 400 years. The craft is developed as a legacy of their ancestors, continued by successive generations. However, the lackadaisical view towards the weavers in Benaras have forced them to live in a sub- human environment, creating an adverse impact on the craft of handloom weaving, leading to migration of weaver’s community to the periphery. The craft is facing the threat of extinction due to the exploitation of weavers by Gaddidars (traders), and growing usage of power looms, which enable faster and more cost-effective production.
Housing Conditions: Due to insufficient income, multi-weaver families live in overcrowded and uninhabitable conditions, sharing the same limited space for both domestic activities and weaving production. According to the research and documentation of existing dwelling units in Vishwanath Gaali, we observed the need for a space which would incorporate the weaving activity separately along with the domestic work.
The Aim of the Project: The aim of the project is to commercialize hand loom weaving by bridging the gap between the weavers and the local community in the old town of Varanasi. The intent is to create tangible spaces for intangible interactive experiences that engages both residents and weavers, bringing the craft into the public realm by showcasing it on the streets of the city. By integrating tangible aspects of urban design with the intangible cultural heritage of weaving, the initiative seeks to safeguard the weaver community within the old town, thereby preserving the essence of traditional hand loom craftsmanship.
The Site Plan: The design of the site plan is inspired from the process which is involved in pre and post weaving activities. The project aims at creating a weavers walk which would involve the experience of viewing the processes of weaving by the tourists. The weavers would also be provided with stalls at the end of the walk where they can display their art and sell their products together. The design of the site plan is done in a way to encourage the weavers to carry out activities such as washing of threads and dying work done together in the central area of the site. This would ultimately connect the local weavers to their potential clients simply without an interference of the traders. This also involves an additional source of income for the women to run food stalls along with their weaving studios. This would inculcate in them, a sense of inclusivity and security within the community of the old town of Varanasi and ultimately preserve the age-old craft of handloom weaving.

Drawings

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The Metamorphosis of Worli Koliwada

Author: Srilekha Malladi
Site Location: Mumbai, Maharashtra
Institute: Dr. D.Y. Patil School of Architecture
Advisor: Amit Shirke

Description

The Metamorphosis of Worli Koliwada reimagines one of Mumbai’s oldest fishing villages as a resilient, community-driven waterfront. Caught between the pressures of redevelopment and the weight of heritage, the project proposes an alternative future, one that protects cultural memory while enabling growth.
The design unfolds through co-creation with the Koli community, embedding their lived routines, rituals, and occupations into spatial strategies. Instead of erasing the dense gullies, the project strengthens them through phased development: incremental housing upgrades, flexible public spaces, and resilient infrastructure. The seafront transforms into an amphitheatre and marketplace, where daily livelihood meets collective leisure. A folded plate roof inspired by fishing nets symbolises the dialogue between tradition and contemporary construction.
At its core, the thesis argues that urban design is not about replacing communities but amplifying them. By merging heritage, resilience, and equity, the project sets out a model for how Mumbai’s indigenous settlements can thrive amidst rapid urban change.

Drawings

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Parivartan: Re-imagining Slum Living of Bandra

Author: Adburrab Ansari
Site Location: Mumbai, Maharashtra
Institute: Faculty of Architecture, Planning and Design, Integral University
Advisor: Zeba Nisar

Description

Parivartan: Re-imagining Slum Living is a people-centric redevelopment proposal for the dense informal settlements of Bandra West, Mumbai. Rooted in the philosophy of People-Centric Urbanism and guided by the framework of Regenerative Urbanism, the project envisions a future where slum redevelopment is not merely about housing provision but about enhancing quality of life, preserving community identity, and fostering socio-economic growth.

Through inclusive planning, the design integrates mixed-use vertical housing, accessible public amenities, and vibrant green spaces at both ground and podium levels, ensuring a balance between private comfort and shared community life. Cultural values and lifestyle patterns of residents are retained through flexible housing layouts and active open spaces that encourage interaction.

Sustainability is embedded through modular construction, climate-responsive design, and integrated landscape planning. By addressing housing, livelihood, and ecology together, Parivartan becomes a replicable model for equitable and resilient urban transformation—demonstrating how architecture can be a tool for social upliftment while shaping a more inclusive urban future.

Drawings

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Housing and Landscape Urbanisation: A Case in Kolhapur’s Extents

Author: Aditya Mahajan
Site Location: Kolhapur, Maharashtra
Institute: School of Environment and Architecture (SEA)
Advisor: Prasad Shetty

Description

Complexities of land, caste-based segregation, people’s agency, agriculture, and industries give rise to a distinct urban and house form within city extents. These forces led to questions about life and space, intervening through diverse socio-political and environmental logics. The architectural inquiry is therefore about thinking of inhabitation forms where space emerges through fragmentation, accretion, and the ideas of permanence and impermanence.
Based on a thorough analysis of the biographies of resident families, the design imagines a housing and landscape urbanisation project driven by the community. It intervenes through planning, rethinking builtforms, and inserting infrastructural landscapes. By understanding ways of homemaking, it derives a proportioning system and stratifies the terrain into habitations.
Analysing land conditions, affordances, transformations, and intensification of homes, the project suggests a strategy for planning and rebuilding, estimated over the next 15 years, to improve living conditions. The proportioning system is developed into household modules, which can be permutated, appropriated, and grown over time by arranging them in various ways. Made with steel, reinforced fiber panels, and patra, they are meticulously designed with proportional sizes, proper ventilation, play of spatial syntax and volumes, ensuring costeffectiveness. Furthermore, the site systems can be configured to create varying degrees of publicness.

Drawings

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Siddi: Preserve, Empower, Thrive – Community-driven Architecture in Ahmedabad

Author: Habib Rehman Akhtar Khan
Site Location: Ahmedabad, Gujarat
Institute: Lokmanya Tilak Institute of Architecture and Design
Advisor: Harish Shetty

Description

The Siddi Community Centre is envisioned as a place of dignity, belonging, and opportunity for a people often pushed to the margins. The Siddis -Africans by origin, Indians by nationality have lived in Gujarat for over four centuries. They built forts, carved Ahmedabad’s iconic Siddi Saiyyed Jali, and enriched India’s cultural fabric. Yet today, many struggle with poverty, exclusion, and invisibility, with little access to education, healthcare, or secure livelihoods.
Many remain unaware of their Scheduled Tribe rights, while issues like gambling and exploitation weaken unity. Hope lies in the younger generation, eager for education and change.
This project responds by asking: who are we designing for? The answer lies in co-creating with the community. Set on a 29,000 sqm site along the Ahmedabad riverfront, the design steps with contours and draws from idea of Correa’s incremental grid, Kéré’s ventilation strategies, and Fathy’s brick vaults. Each 12 × 20 m module, supported by RCC beams and brick piers, integrates services, harvests rainwater, and anticipates growth.
Programs emerge from lived realities – a healthcare block for women and children, a community kitchen inspired by Hirabai Lobi’s struggle, schools woven with skill centers, and courtyards for Dhamal dance, weddings, and festivals. Sunken exhibition spaces become hubs for dialogue and livelihood, while sports and women’s training centers unlock future potential.
This is not charity. It is architecture as equity, preserving heritage, empowering livelihoods, and nurturing cultural pride for generations to come.

Drawings

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Architecture of the Sacred Commons: Water Landscape of Pamban Island

Author: Kshitij Churi
Site Location: Pamban Island, Tamil Nadu
Institute: Kamla Raheja Vidyanidhi Institute for Architecture and Environmental Studies (KRVIA)
Advisor: Aishwarya Padmanabhan

Description

Pamban Island’s sacred landscape is woven around its 64 teerthams- holy water bodies that once sustained both spiritual practice and ecological balance. These stepped tanks and wells are more than ritual sites; they are decentralized water systems capable of recharging aquifers, resisting seawater ingress in groundwater, and ensuring equitable access to water. Their neglect has led to cultural erosion, ecological vulnerability, and restricted access for communities.
This thesis reimagines the teerthams as active commons- spaces where the nature–culture link is re-established through water. By designing interventions rooted in the stepped tank typology, the project creates equitable spaces of access, ritual, and performance for three key users of the island: the local, the pilgrim, and the tourist. Through architectural insertions addressing the local, pilgrim and tourist, the proposal positions these sacred water structures as anchors of both cultural continuity and ecological resilience and the design becomes a medium to restore lost links between people and place, ecology and ritual, nature and culture.

Drawings

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The Community-centric Livelihood Hub

Author: Parindra Sur
Site Location: Shantiniketan, West Bengal
Institute: Techno India University
Advisor: Sayan Chatterjee

Description

This thesis investigates the potential of architecture to serve as a catalyst for socio-economic development in rural India through the creation of a Community-centric Livelihood Hub in Shantiniketan, West Bengal. The study addresses the challenges faced by rural artisans—particularly in infrastructure, visibility, and sustainable livelihood—by proposing an architectural intervention that integrates traditional knowledge systems with contemporary sustainable design principles.

A mixed-method research approach was employed, combining site observations, stakeholder interviews, and literature review. Comparative case studies of Auroville (India) and METI School (Bangladesh) informed the design philosophy, highlighting models of participatory, environmentally responsive, and culturally rooted architecture.

The final design comprises multifunctional spaces including training centers, market areas, artisan residences, and community halls—organized around vernacular spatial principles and constructed using local, climate-resilient materials. Emphasis is placed on passive design strategies, community engagement, and the preservation of the local Baul and artisan culture.

By contextualizing architectural design within the framework of rural development and cultural continuity, this project contributes to a replicable model for sustainable rural transformation. It demonstrates how architecture can bridge the gap between tradition and innovation while empowering local communities.

Drawings

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Kashmiriyat – A Center for Social Revival

Author: Iqbal Aashiya Hussain Priyanka
Site Location: Srinagar, Jammu and Kashmir
Institute: Sir JJ College of Architecture
Advisor: Dr. Vilas Ramteke

Description

A Cultural Center has long been an architectural design approach to curb the ignorance of social and cultural values of a region. For the region of Kashmir however, the problem is deeper. Kashmiri people have long been guardians of their cultural values and traditions, with a rich blend of civilizations from all over South-east and Central Asia. However, with recent disturbances, the people of Kashmir suffer through plights of depression, social alienation, stark unemployment, drug-use and so on. Once the crown jewel of the country, the closest place to heaven as people say, now finds itself covered under the dark clouds of a collective shared trauma. However, the true glory of Kashmir, Kashmiris and their Kashmiriyat is immortal, and this intervention intends to revive those values. The design intends to kindle the ability to experience healing – as it remains especial for those blessed enough to experience pain and suffering. Therefore, architecture’s inane quality to heal, rejuvenate and revive, births a solution to the plight of Kashmir and its Kashmiris.

Drawings

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Susegad: A Centre for Island Living – Revitalize Economy and Culture through Architecture in Goa

Author: Shreeya Kamath
Site Location: Divar Island, Goa
Institute: BMS College of Architecture
Advisor: Dr. Leena Thombre

Description

This thesis proposes a community–visitor center on Divar Island (Site Location Pin: 15.53439611522159, 73.90173249052955) as a shared platform where locals and tourists come together, designed to nurture cultural exchange while protecting both heritage and ecology. The intent is not only to provide facilities but also to create an environment that celebrates coexistence. For locals, the spaces generate income, revive agriculture, and sustain artisanal practices that risk being lost. For visitors, they provide opportunities for authentic experiences—ones that are mindful, meaningful, and deeply rooted in the island’s identity. Material limitations are embraced as strengths, with locally available resources guiding construction and demonstrating the wisdom of vernacular methods. The architecture resists spectacle and excess, relying instead on its rhythm of blocks, courtyards, and pathways that weave built and unbuilt spaces together. These interstitial areas foster interaction, community gatherings, and a constant dialogue with the landscape. The design ensures that the built does not overwhelm the natural; instead, it frames it. In this way, the architecture blends modestly into Divar’s timeless setting, appearing grounded, enduring, and inseparable from its place.

Drawings

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Tribal Development at Kudampudar, Odisha

Author: Nashra Hasan
Site Location: Kudampudar, Odisha
Institute: Axis Institute of Architecture
Advisor: Ar. Abhishek Mishra

Description

The proposed thesis project is situated in Kudumpadar, Kundra block, Koraput district, Odisha, spanning across 50 acres of land. The vision of the project is to establish a Self-Sustaining Tribal Ecosystem rooted in harmonic coexistence with nature, integrating biophilic design principles and clustered hamlet-based planning. Inspired by traditional tribal settlement patterns, the master plan draws from the geometry of Kolam design, where grid patterns form the basis of sectoral division and cultural motifs influence building forms. Key facilities include housing clusters, educational spaces, a healthcare center, training and skill development zones, marketplaces with exhibition areas, and communal gathering spaces such as an open-air theatre. The architectural approach emphasizes the use of vernacular construction techniques and local materials, ensuring both cultural relevance and sustainability. The project aims to enhance the quality of life of tribal communities by addressing their social, cultural, and economic needs while simultaneously promoting eco-tourism and cultural exchange. By bridging traditional wisdom with contemporary planning strategies, the project seeks to serve as a model for inclusive tribal development and resilient rural ecosystems.

Drawings

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