Shortlisted Entries

Moving Mountains

Moving Mountains centres around issues of dependency, recharge and social-ecological realities shaped by groundwater. It will also dwell on the consequences of coupling land rights with water rights. It aims to explore what this does to disparity in distribution as well as recharge.

Antarjala

Antarjala is about Bengaluru’s changing relationship with water has been a story of urban growth, and also one of intimate change in a community’s relationship with water. The proposal aims to dive into understanding ‘scarcity’ as more than just a natural phenomenon, but also a socially mediated political process.

Navadi

Navadi is the story of a boat rider who rescues hundreds of people trapped in the flood every year in Kolhapur. The proposal explores the evident reasons of flood as unplanned urbanization and lack of disaster management response.

पानी का खेल (Waiting)

पानी का खेल (Waiting) seeks to represent water access issues in Mumbai as more than just that. It depicts the all-consuming process of obtaining an official water connection as a resident of an informal settlement, and through that, raises questions of legitimacy, right, and belonging.

फासले (So far, So close)

फासले (So far, So close) charts instances of disparities in distribution attempting to make palpable, its far reaching consequences. It also aims to unravel the contradiction of distances associated with the ‘urban organism’ – which demands being fed with people & resources from far & wide.

डूबती ईंटे (Sinking Bricks)

डूबती ईंटे (Sinking Bricks) looks at a family living in a small brick house, surrounded with water on all sides during the rains. This water contains wastewater and industrial waste from the colonies, garbage and rain water which all gets stagnant here. The proposal is about the daily struggle of this family and the many people living here.

நீ ரின்றி அமையாது (Nothing without Water)

நீ ரின்றி அமையாது (Nothing without Water) looks at how water is the most essential component that sustains human life. But we’ve come a long way from thriving around a river’s existence to disrespecting its presence and contributions. This proposal narrates the story of exploitation of Ennore’s rich Creek and Kosasthalaiyar river due to excess encroachments and discharges by government and private industrial ambitions.

শিলসাঁকোৰ উদং বুকু (Remember Xilxaku)

শিলসাঁকোৰ উদং বুকু (Remember Xilxaku) is about the ecosystem of Xilxaku Beel, an important wetland in Guwahati is being destroyed to make an artificial concrete eco-park. I met the fairy of the Beel, Jol Kuwori, who was crying helplessly beside her destroyed home.

The Chaviwallahs of Mumbai

The Chaviwallahs of Mumbai looks to explore the idea of what makes water move in this city. Who has access to it and who doesn’t. While the keymen control the flow of water by opening and closing of valves, who are the real chaviwallah’s that influence the flow of water in this city.

Bombay Hotel

Bombay Hotel explores the relationship that children of the Bombay Hotel area in Ahmedabad share with water and its accessibility while living next to the city’s largest garbage site.

The Bhavi Project

The Bhavi Project documents open wells as traditional water systems and their changing needs, through the lens of Vaddars, the traditional well-digger community in Bengaluru city. Through engrained stories, the film builds an inquiry towards the sustenance of these open wells and their adaptation to cater to increasing water needs and changing lifestyles.

Aragol

Aragol looks at the life of the migrant artisanal coracle fishing community whose economies and livelihood solely depend on the Cochin estuary. It will illustrate the paradoxical relationship the community has with the city and its water body.

Bypassing Diaras

Bypassing Diaras attempts to document the unique relationship between the residents of Diara and the river Ganga in Patna. Diaras are riverine islands formed between the natural levees of the river as a result of silt deposition. In recent years, there has been a massive push toward infrastructure building, particularly projects concerned with urban mobility. But Diaras continue to face mobility challenges due to annual flooding and exclusionary planning.

The Many Journeys of Water

The Many Journeys of Water is an exploration of the many journeys of water—from fresh to black and grey waters—and the journey of a few women who are intrinsically linked to this journey of water.

Resource experts for Nagari 2022

Water in Urban India

Mridula Ramesh

Mridula Ramesh is the author of the critically acclaimed The Climate Solution and the newly released, Watershed, and the founder of the Sundaram Climate Institute, which focuses on waste and water solutions. She is an active cleantech angel investor, with a portfolio of over twenty start-ups. A graduate with distinction from Cornell University and an MBA from the Kellogg School of Management, Mridula worked at McKinsey in Silicon Valley and is the executive director of Sundaram Textiles. She is part of the board of trustees of World Wildlife Fund, India, and chairperson of the board of governors at National Institute of Technology, Andhra Pradesh. She lives and experiments in Madurai in a (nearly) net-zero-waste home with her husband and two children.

Addressing various factors associated with Water and Urbanism

Vishwanath S

S. Vishwanath is a Civil Engineer and an Urban Planner. He has 34 years of experience in the water, waste-water and sanitation sector helping design rainwater harvesting, aquifer recharge, wastewater recycling and ecosan systems. He is an Adjunct Professor and teaches a course on the theme – “Water”  at the Azim Premji University, Bengaluru, India. He is a Trustee with the Biome Environmental Trust and a Director at Biome Environmental Solutions, an Ecological Architecture practicing firm. He is a member of the Sustainable Sanitation Alliance a global alliance of people and groups working towards sustainable sanitation. He is a member of the International Water Association. He wrote a weekly column called Waterwise for 12 years for The Hindu. He has been a member of various expert committee which helped formulate the Rainwater harvesting policy and law for Bengaluru, the Waste-water policy for Karnataka and the Water Policy for Karnataka, drafted by the Karnataka Knowledge Commission. He was the Secretary General of the International Rainwater Catchment Systems Association for 4 years. He was the Advisor at Arghyam and for the India Water Portal for 10 years

Hussain Indorewala

Hussain Indorewala is a teacher and urban researcher. He teaches planning theory, housing and humanities at the Kamla Raheja Vidyanidhi Institute for Architecture (KRVIA) in Mumbai. His research work has focused on urban history, infrastructure planning, politics of land and housing, and sustainable transport. He writes frequently in the popular press on urban development, planning and policy. He is the founder partner of the Collective for Spatial Alternatives (CSA), an action research and community planning collective.

Sarita Fernandes



Sarita Fernandes is a coastal, small-island state and maritime policy scholar, with her work and specialisation on land-use changes of coastal zones, conservation of olive ridley sea turtles and coastal disaster management. She also works on ocean governance and marine resource management of maritime zones and stakeholder climate equity into domestic and intergovernmental policies. She studies spatial distribution of different ocean sectors on coastal commons, policy, community-conservation and case-studies of conflict within ocean economic sectors using the same zones.

She has completed her Masters in Public Policy from St. Xavier’s College (Mumbai) and her Post-Graduate Diploma in International Relations and Foreign Policy from the Pherozshah Mehta Bhavan-Department of Civics and Pol. Science in the University of Bombay. Her Masters thesis in public policy included a policy-analysis of the impact of coastal policy (CRZ notifications) on Mumbai’s coastline and her second thesis involved a stakeholder feasibility framework of UNCLOS (United Nations Convention of The Law Of The Sea). Sarita is based out of Goa and New Delhi and is the founder and managing trustee of the Goa Sea Turtle Trust and the Ocean, Coastal and Ecological Alliance Network (O.C.E.A.N).

Nagari 2022

WATER IN URBAN INDIA

Over the last few decades, we have seen how rapid population growth, high densities, poverty and high differentials in access to housing, public services and infrastructure have led to an increase in vulnerability, especially in India’s urban centres.

Previous editions of Nagari have looked at the state of housing and the challenges of livelihood that exist within this rapid urbanisation. This year, Nagari will focus on a single idea of how stories in urban India are tied to water.

Theme

Shortlisted Entries

Click on the image above to learn more about the shortlisted entries

Mentors

Resource experts

BRIEF

Click on the image above the view the full brief

Click on the images above to watch Nagari Mentors discussing the brief.

NAGARI 2021 | WINNING ENTRIES

Best Short film award

ताल बेताल (Taal Betal)

Film by Sanchay Bose, Pramathyu Shukla, Shubham Sengupta and Rudraksh Pathak
Mentor Arjun Gourisaria

Jury Citation:

‘Taal Betal’ is laudable as it uses the strength of film’s visual storytelling to reveal the devastating impact of urban development on water bodies and the lives that depend on them. Through an investigation of Jabalpur’s lakes, we experience the impact of pollution on the livelihood of the Singharia community, originally water chestnut farmers, who have now turned to fishing — which is also then affected by the lack of oxygen in the water.

It is a very well-structured and legible film, a documentary that recalls the fact that Jabalpur’s lakes were made for its citizens, a progressive urban planning move. The film calls out to viewers to take more care of our waterways and the layers of life that depend on them – including our own.

RUNNER UP SHORT FILM AWARD

The Golden Fish

Film by Avadhoot Potdar, Akanksha Gupta and Akshata Dalvi
Mentor: Arjun Gourisaria

Jury Citation:

‘The Golden Fish’ is commendable as a testament to livelihood as ‘disruption’ in an urbanscape. It illustrates, quite beautifully, how Goa – with its unique geography and society – has been
negatively impacted by the floating casinos and their influence. The insights into the life of the young North-Eastern women who work in the casinos are sensitive and evoke questions of “localness” in a cosmopolitan state like Goa.

The use of opulent visuals of the casinos and their branding, as contrasted with disembodied voices for locals, is representative of the way that the industry has now taken up space that once belonged to the city. The women who work on the casino boats are objectified, the locals are ignored, and a kleptocratic system perpetuates exploitation and alienation. The boats themselves are operated by people that are from a different part of the nation, servicing alien crowds that come in from other states and countries, a disconnect between the two worlds. The film also illustrates issues that can be reversed, through advocacy and policy, exemplifying film’s ability to raise public awareness.

RUNNER UP SHORT FILM AWARD

दारुडी (Darudi)

Film by Atish Indrekar and Ruchika Chhara
Mentor: Sanjiv Shah

Jury Citation:

‘Darudi’ is commendable as it does the hard work of giving voice to a community stigmatised as a criminal tribe by the colonial administration, a burden they carry until today, and of opposing views around the hidden world of distilling alcohol in Chharanagar, in the city of Ahmedabad. It is an uncomfortable story, in the best tradition of documentary filmmaking, that forces viewers to confront historic injustice, an inheritance from colonial times that still continues to circumscribe and constrain. The narrative, largely through song, is intricately crafted and inter-woven with interviews to convey a sense of anguish and disempowerment.

‘Darudi’ provides an intimate experience of how people born into and living in this state of injustice must grapple with the quandary of doing ‘right or wrong’ while pursuing the right to a livelihood that takes care of one’s family and children.

JURY COMMENDATION

An Ordinary Day

Film by Aakash Chhabra, Snigdha Sharma, Vedant, Om Prakash and Koushik Tamilmaran
Mentor: Rajula Shah

Jury Citation:

‘An Ordinary Day’ is acknowledged for presenting a deeply personal and moving take on the livelihood crisis brought about by the COVID-19 pandemic. The melancholic tone and the stark aesthetic of the yarn recycling facility were incredibly effective. While there was a single voice and a single story, the film spoke for so many more people, across cities in India who faced this crashing devastation in livelihood, migration and economic chaos.

PEOPLE’S CHOICE AWARD

Partnership Below Par

Film by Aman Jajoria and Simran Raswant
Mentor: Bina Paul

Partnership Below Par is a documentary that explores the story of four delivery “partners” as they navigate through the millennium city of Gurugram (previously known as Gurgaon), questioning how the city facilitates their ability to earn a living along with their stakes in this “partnership” within the gig economy.

CCF EMERGING TALENT

Moin Khan for the film यह वक़्त हमारा है (The Present is Ours)

By Bhawna Jaimini and Moin Khan
Mentor: Sanjiv Shah

Shot through the lens of Moin Khan – a young rapper and an aspiring filmmaker, the film explores the challenges, struggles and triumphs of him and his neighbours in Govandi, Mumbai. It looks at how the Muslim youth are negotiating within their homes, where cultural norms and financial limitations dictate their aspirations, as well as outside in the city – where spatial boundaries dictate not just their present but their socio-economic future. It attempts to bring out how opportunity and aspiration intersects with cultural and spatial identity of people of Govandi, dictating their present and future.

Nagari 2020 | Films

Mayavi Swapnamahal

Click the poster to watch the film or follow the link here.

A Marathi rap music video about the issues faced by citizens at the hands of exploitative builders in a nexus with the government, providing them woefully inadequate housing facilities. Language: Marathi with English subtitles

A City Within A City

Click the poster to watch the film or follow the link here.

Confronting the communal nature of the city of Ahmedabad by focusing on the neighborhood and houses of Juhapura, one of India’s largest Muslim ghettos.

Beyond Four Walls

Click the poster to watch the film or follow the link here.

A film that explores the relationship between access to livelihood and housing, through a comparison between Parry’s Corner and Kannagi Nagar, two neighbourhoods in Chennai.

Udta Banaras

Click the poster to watch the film or follow the link here.

An attempt to document displacement and resettlement due to the Kashi Vishwanath Corridor, through the experiences of Rinku Kannaujia, a former resident of the Dalit Basti near the temple. The film looks at his experience of displacement while questioning what development means for a culturally rich city like Banaras

Fish out of Water

Click the poster to watch the film or follow the link here.


Exploring the changing realities of the Koli community of Mumbai. One of Mumbai’s native inhabitants who live along its coastline have seen it all, from the 7 islands to the bustling and ever growing metropolis that the city has now become. Shot across three Koliwadas, the urban fishing villages in which the Koli’s reside, in Khar Danda, Madh and Versova, we have tried to mirror the Kolis as they navigate through their daily lives, from the sea where they go to catch the fish early morning, to the fish auctions at the end of each day and the time in between where life has other things in store for them.

Water Water Everywhere

Click the poster to watch the film or follow the link here.

In Guwahati city, flash floods occur every year, the reason being the Brahmaputra river flowing beside it overflows. Meanwhile, people struggle for drinking water every day in this same city. This reminds us of the famous lines by Samuel Taylor Coleridge “Water water everywhere, nor any drop to drink”!

Adrushya Niwasi

Click the poster to watch the film or follow the link here.

The film unpacks the impact of the COVID-19 pandemic in highlighting the prevalent housing inadequacies for the migrant in the city of Mumbai.

Jar jar ghar

Click the poster to watch the film or follow the link here.

A documentary about century-old buildings on the verge of collapsing and the generational tenants who live here with nowhere better to go. With a glimpse into the rehabilitation policies of the state of Maharashtra, the film tells multiple stories of families in south Mumbai who are caught between the devil and the deep blue sea.

Day One

Click the poster to watch the film or follow the link here.

Debajit, a young man from a village in Lower Assam arrives in Guwahati with the hope of a better livelihood. The city unfolds to him as a space etched on a discursive landscape and temporality; bearing signs of the past, present and future. His journey in his day one of the city pings him with a feeling of displacement-emotional as well as physical

Game of Homes

Click the poster to watch the film or follow the link here.

A film which portrays speculation on real-estate in Goa, questioning the affordability of housing in the state, depicted through a game of Monopoly.

Nagari 2020 | Jury

pradeep dalal

Pradeep Dalal directs the Andy Warhol Foundation’s Arts Writers Grant Program in New York. He was co-chair of Photography at the Milton Avery Graduate School of the Arts at Bard College.

sankalp meshram

Sankalp Meshram is an Indian Director, Editor, Writer and Producer, working in Mumbai since 1994. An Alumnus of FTII, Pune, he has won Five National Awards and one IDPA Award. He has made many notable films on Architecture, specially on the Architecture of Charles Correa, Music and Dance apart from having
made an award winning Fiction Feature Film ‘Chhutkan Ki Mahabharat’.

Snehanshu Mukherjee

Snehanshu Mukherjee has over 34 years of experience in the field of architecture and planning. He also has over 28 years of experience of being an academician. He graduated with a Bachelor’s degree in Architecture from School of Planning and Architecture, New Delhi.

Shilpa Ranade

Shilpa Ranade trained in architecture at CEPT, Ahmedabad and did her graduate work in Cultural Studies at the University of Arizona, Tucson. Shilpa has co-authored an influential book on women and public space in Mumbai called “Why Loiter?” published by Penguin Books India in 2011.

Paromita Vohra

Paromita Vohra is a filmmaker and writer whose work focuses on gender, feminism, urban life, love, desire and popular culture and spans many forms including documentary, fiction, print, video and sound installation. She has directed and written many films, ‘Partners in Crime’ in the year 2011 is one such film.

Nagari 2020 | Mentors

sanjiv shah

Sanjiv Shah is a film editor, producer, and filmmaker engaged largely with documentaries dealing with social issues, and exploring forms of film. As a part of the exhibition The State of Housing (2018) in Mumbai, he directed a video looking at the housing crisis in India over the last 70 years.

bina paul

Bina Paul works mainly in Malayalam-language films. She has over fifty editing credits and has directed four documentaries. Her first editing work was in 1985 on Aravindan’s documentary The Seer Who Walks Alone and her first feature film work was on Abraham’s Amma Ariyan in 1986. Paul won her first National Film Award for Revathi’s Mitr, My Friend, which had an all-woman crew.

Avijit Mukul Kishore

Avijit Mukul Kishore is a filmmaker and cinematographer, working in documentary and interdisciplinary moving image practices. He’s involved in cinema pedagogy as a lecturer and curates film programmes for prominent national cultural institutions.

Rajula Shah

Rajula is a Poet, Filmmaker & Visual Artist. Her practice emerges through close collaboration with people,
their histories & environments exploring boundaries of fiction/non-fiction through New Media. Developing new strategies for the study & practice of Cinema in changing contexts is a concern with her.

Tarun Bhartiya

Tarun is a political activist, documentary imagemaker and Hindi poet from Shillong.

Nagari 2020

The first edition of the Nagari Short Film Competition addresses the subject of Housing Adequacy in Urban India. It attempted to not only use film as a medium to narrate the issues, but really to expand an understanding of the subject and extend its representation and relevance in India.

housing adequacy in urban india

In 2020, the Nagari Short Film Competition focussed on the question:
“How could one tell the story of housing adequacy in urban India”?

Click on the image to learn more about the winning entries!
Click on the image to learn more about the final films!

mentors

Click on the image to watch the join Award Ceremony for the Nagari Short Film Competition 2020 and Z-axis: You and Your Neighbourhood Design Competition

jury

WHAT IS THE RIGHT TO ADEQUATE HOUSING?

This blogs explores the key elements of adequate housing as recognized by the Universal Declaration of Human Rights and the International Covenant on Economic, Social and Cultural Rights.

A Bioscope on urban housing in India.

Film as a medium has played an important role in generating awareness on social issues. This blog is a list of films that address housing and issues related to housing infrastructure in India. It is not an exhaustive list but a short collection of films available in the public domain.

Click on the image to learn more about the Nagari 2020 Short Film Competition Brief

Nagari 2021 | Theme

PEOPLE AND LIVELIHOODS IN URBAN INDIA

“An equally important facet of the right to life is the right to livelihood because no person can live without the means of livelihood.” — Excerpt from the unanimous judgement of The Supreme Court of India in Olga Tellis v. Bombay Municipal Corporation, 1985.

This year, Nagari will address the subject of people and livelihoods in Indian cities. It will attempt to not only use film as a medium to narrate the issues, but really to expand an understanding of the subject and extend its representation and relevance in India.

Continue reading “Nagari 2021 | Theme”

Livelihoods & the COVID-19 Crisis

Photo by Rajesh Vora

An equally important facet of the right to life is the right to livelihood because no person can live without the means of livelihood.” — Excerpt from the unanimous judgement of The Supreme Court of India in Olga Tellis v. Bombay Municipal Corporation.

Continue reading “Livelihoods & the COVID-19 Crisis”

Nagari 2020 | HOUSING ADEQUACY

In 2020, the Nagari Short Film Competition focussed on the question:

How could one tell the story of housing adequacy in urban India”?

India has the largest number of urban poor and landless people in the world. According to the 2011 census, approximately 13.75 million households, or approximately 65 – 70 million people, reside in urban slums. Homeless people, based on the 2011 census, are an additional 1.8 million. The numbers are staggering. In some cities, such as Mumbai, those residing in slums represent around 50% of its population. Housing, and more importantly adequate housing, is in a state of crisis in India – a case reinforced by the migrant exodus that we witnessed in Indian cities in March 2020, as a result of a national lockdown imposed in response to the COVID-19 pandemic. 

Continue reading “Nagari 2020 | HOUSING ADEQUACY”

bioscope on people and livelihoods in urban india

Nagari 2021 addresses the subject of people and livelihoods in Indian cities in an attempt not only to use film as a medium to narrate the issues, but really to expand an understanding of the subject and extend its representation and relevance.

Film as a medium has played an important role in generating awareness on social issues. This blog lists films that draw parallels to this years’ subject of scrutiny. The list of course is not exhaustive, but is a collection of films – suggestions made by the mentors of Nagari Short Film Competition 2021 and the Charles Correa Foundation.

Continue reading “bioscope on people and livelihoods in urban india”

Competition Brief

The competition brief is out!

In 2021, keeping in mind restrictions due to COVID-19, participants may also work with found material and footage so long as IP and copyright laws are respected.

Continue reading “Competition Brief”

Nagari ReRuns

A public retrospective of Nagari films, showing the 10 short films that were made for the 2020 competition. The programme will consist of a screening, followed by discussion with the filmmakers, moderated by the Charles Correa Foundation team as a launch of Nagari 2021 — ‘People and Livelihoods’ in Indian cities.

We hope that watching and discussing ‘ReRuns’ brings continuity between the previous and the current focus, seeing the connection from Housing Adequacy to People and Livelihoods. It will attempt not only to see film as a medium to narrate the issues, but really to initiate discussion on inadequacies in the urban realm and extend its representation and relevance in India.

Watch all 10 episodes of Nagari ReRuns on YouTube HERE

Continue reading “Nagari ReRuns”

Nagari Short Film Competition | Winning Entries

BEST SHORT FILM AWARD

A City Within A City

Film by Prachee Bajania and Narendra Mangwani

Mentor Avijit Mukul Kishore

Jury Citation:

A City Within A City shows us the sociological fallout in Juhapura, a small locality in Ahmedabad, post the riots of 2002. The film covers a very urgent and powerful issue giving a strong message in the most straightforward way. The film speaks of ghettoization and segregation, something that we rarely discuss when speaking of urbanism and urban planning. The film presents a microcosmic individual problem of a particular family and how they are looking not only at the immediate problems while also dealing with their aspirations. The juxtaposition of the historical context of the place and people’s aspiration to build an independent community despite the apathy of the state, makes the audience value housing beyond the practicality of spaces. The film is poignant, empathetic and yet never looking at people who have suffered in a flattened way as victims but rather celebrating their resilience, showing how attitudes, policy, law and history are all integrated.

RUNNER UP SHORT FILM AWARD

Udta Banaras

Film by Apoorva Jaiswal and Manas Krishna

Mentor Rajula Shah

Jury Citation:

Udta Banaras alludes to the fact that cities keep changing with regimes and the people inside the city don’t really have a choice in where they go and which part of the city they can be in. It highlights the hurt and the absolute dislocation that’s caused by urban renewal projects and the impact of policies that have been put into place without taking into recognition the inhabitants in those neighbourhoods. The imaging and the imagery in the film was extraordinarily beautiful and compelling. The protagonist was very interesting and charismatic, bringing together a lot of complex ideas about home, his own identity, his own home, but also this idea of Banaras itself. It’s through his photographs that we get to see when we see that the famous Vishwanath gully has been completely taken away and made into some kind of piazza which is shocking and very cleverly done.

PEOPLE’S CHOICE AWARD

Mayavi Swapnamahal

Film by Atharva Salaskar, Vaibhav Kadam and Aditya Desai

Mentor Avijit Mukul Kishore

A Marathi rap music video about the issues faced by citizens at the hands of exploitative builders in a nexus with the government, providing them woefully inadequate housing facilities.

COMPETITION BRIEF

The competition brief is out!

This year, the Nagari Short Film Competition is looking for films that address the question, “How could one tell the story of housing adequacy in urban India”?

REGISTRATIONS CLOSED

Registration closed at 11:59PM IST on Thursday, 15 October, 2020.

For any queries, write to us at nagari@charlescorreafoundation.org